Amanda Peet - The 87th Annual Oscars - Vanity Fair Oscar Party at Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall - Arrivals at Wallis Annenberg Center for the Performing Arts, Oscars - Beverly Hills, California, United States - Monday 23rd February 2015
Amanda Peet - The 87th Annual Oscars - Vanity Fair Oscar Party at Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall - Arrivals at Wallis Annenberg Center, Oscars - Beverly Hills, California, United States - Sunday 22nd February 2015
Sarah Paulson and Amanda Peet - A host of stars were photographed on the red carpet as they arrived at the 21st Annual Screen Actors Guild Awards which were held at the Shrine auditorium in Los Angeles, California, United States - Sunday 25th January 2015
Michael Fassbender was among the cast of historical biopic '12 Years A Slave' who attended the New York Film Festival premiere of the flick. He was joined by director Steve McQueen and main star Chiwetel Ejiofor.
An especially strong script gives actors plenty to chew on in this comedy-drama, in which writer-directors Faxon and Rash (The Descendants) take an observant look at the awkward connections we make with each other. Using sparky humour and emotion, the filmmakers and cast create vivid characters we can't help but identify with, even when they do all the wrong things.
At the centre, Duncan (James) is a 14-year-old who dreads spending the summer at a beach house owned by Trent (Carrel), the cruelly critical new boyfriend of his mother Pam (Collette). When they arrive, they meet gossipy neighbour Betty (Janney), who has a whole season of neighbourhood parties planned. And her daughter Susanna (Robb) looks just about as miserable as Duncan does. As he tries to escape, Duncan finds a local water park run by colourful misfit Owen (Rockwell), who takes Duncan under his wing and offers him a summer job. And being on his own gives him the badly needed self-confidence to talk to his mother honestly, take on Trent and maybe even ask Susanna out on a date.
Even though this is essentially a standard coming-of-age movie, the script never falls into the usual cliches. For example, when Duncan's first kiss comes along, it plays out in an unexpected, realistic way. This is a generous, honest comedy packed with terrific characters and resonant situations. Supported by the all-star cast, James delivers an impressive performance as a sullen teen struggling to face the world around him , growing up while remaining awkward and likeable. Meanwhile, Stockwell keeps us laughing with a lively party-boy turn that's underscored with sympathy. Collette beautifully layers the repressive, conflicted Pam. Carell goes nicely against type as the cruelly passive-aggressive Trent. And Janney steals the show with the most hilarious lines.
Continue reading: The Way, Way Back Review
Duncan is a 14-year-old boy struggling to fit in anywhere and dealing with all the problems that most teenagers are forced to deal with at some stage. His mother Pam has a new boyfriend, Trent, who happens to be a jerk with a keen interest in humiliating Duncan at every opportunity. As the summer nears, the family embark on a vacation at Trent's beach house where he meets their new neighbour's daughter Susanna who, far from seeing him as a socially awkward and embarrassing individual, warms to Duncan immediately. He also meets the unprofessional and extroverted manager of the Water Wizz water park, Owen, who offers him a job and some excitement on his otherwise uninteresting vacation and subsequently helps him grow in confidence and self-belief.
Continue: The Way, Way Back Trailer
There's real potential in this premise for a ripping screwball comedy anchored by two likeable actors, but the filmmakers simply don't trust the material, stirring in constant elements of action mayhem that don't work at all. Pointless car chases, over-violent fight scenes, murderous henchmen, a ruthless bounty hunter and even a full-on heist: all of these things feel like irrelevant distractions for a movie that's essentially just a remake of Planes, Trains and Automobiles, with an identity-theft twist.
Bateman plays the androgynously named Sandy Patterson, a Denver accountant struggling to make ends meet when he's offered a great new job with a colleague (Cho) that will better help him support his pregnant wife (Peet) and their two precocious daughters. Then suddenly everything is jeopardised when someone steals his identity and, for some inexplicable reason, he has to go to Florida and bring the culprit back to Denver himself. The con artist turns out to be Diana (McCarthy), who's a lot feistier than Sandy expects. And as they begin the long road trip to Colorado, he discovers that she's also being chased by two mob goons (Harris and Rodriguez) and a bounty hunter (Patrick).
Plenty of films manage to mix violence and comedy effectively, but director Gordon and writer Mazin seem to flail at every turn, wildly veering from corny sentimentality to ugly brutality, punctuated by humour that only occasionally makes us laugh. And at nearly two hours, the film feels far too long even though the pace is frenetic. The various set pieces simply don't fit in with the basic premise, leaving the plot in tatters. All of these nasty villains chasing Diana are utterly meaningless, and many of the action sequences feel both inexplicable and implausible.
Continue reading: Identity Thief Review
Sandy Bigelow Patterson is a successful businessman who lives in Denver, Colorado but his world is turned upside down when his credit card gets rejected at the gas station. He discovers that several expensive transactions have been made on his card including a water sports excursion in Florida - where he has never happened to venture. After making several enquiries and informing the police, he is told that his identity has been stolen. His initial shock and distress is quelled slightly on seeing a mugshot of the thief: an eccentrically dressed, overweight, middle-aged woman who Sandy thinks he can take on himself and force her to relinquish his identity after she has spent thousands of dollars on shopping, luxury items and partying. However, she proves too much for Sandy to handle when he tracks her down in Florida, aggressively refusing to give up her hold on his life.
'Identity Thief' is the side-splittingly funny crime comedy from the director of 'Horrible Bosses' Seth Gordon and written by Craig Mazin ('Scary Movie 3', 'The Hangover Part Two') . It is produced by Scott Stuber ('Ted', 'Love And Other Drugs'), Golden Globe winner Jason Bateman and Pamela Abdy ('Garden State') and will be released in cinemas in the UK on March 1st 2013.
Starring: Jason Bateman, Melissa McCarthy, Jon Favreau, Amanda Peet, T.I, Genesis Rodriguez, Morris Chestnut, John Cho, Robert Patrick, Eric Stonestreet, Ben Falcone, Clark Duke, Mary-Charles Jones and Maggie Elizabeth Jones.
Lemuel Gulliver (Black) works in the mailroom at a New York newspaper, where he torments a young colleague (Miller) and pines after the travel editor (Peet).
After convincing her to let him write a story on the Bermuda Triangle, he's shipwrecked in Lilliput, an island populated by people who are 6 inches tall.
Continue reading: Gulliver's Travels Review
Gulliver works in a mail room, he's got big dreams and ambitions but he's never had the chance to prevail, when he's mistakenly given the a new assignment to write a piece on the Bermuda Triangle, he accepts his mission and he soon finds himself a giant among men. In this case, it's quite literally the truth when he lands upon the island of Lilliput.
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Kate and Alex (Keener and Platt) are socially active New Yorkers, supporting charities and trying to help their feisty teen daughter (Steele) understand what's important. But Kate's beginning to feel guilty about their work; they buy furniture from families with recently deceased relatives and resell it at a profit. This is taken to the extreme as they wait for their aging neighbour (Guilbert) to die so they can annex her apartment, and Kate and Alex struggle with how to interact with her very different granddaughters (Hall and Peet).
Continue reading: Please Give Review
Kate and her husband Alex own a trendy furniture store on Fifth Avenue; the products they buy come from estate sales. This is just the start of one of the many problems Kate is developing with her way of life. Materialism seems to have become a big part of her life and it also appears her way of life has rubbed off on her teenage daughter. Trying to balance a work and homelife with her husband is also taking a toll - not to mention their old next door neighbour whose flat they want to develop.
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Date of birth
11th January, 1972