A huge asset here is gifted lead actor Andrew Garfield, who takes on the role of Peter Parker with real passion. Peter is a 17-year-old science nerd in high school who has real depth due to his personal history. Growing up in New York with his aunt and uncle (Field and Sheen) after his parents disappeared, he's more than a little unsettled when the object of his secret crush, sexy-brainy Gwen (Stone), notices him. Meanwhile, he's bitten by a mutant spider and develops some strange powers, which he exercises by chasing down bad guys all over the city.
Continue reading: The Amazing Spider Man Review
Universally considered the worst superhero sequel ever, Joel Schumacher's bloated monstrosity temporarily derailed Warner's lucrative Dark Knight franchise when it tried in vain to fill gaping plot holes with a multitude of C-list villains and unnecessarily whiny sidekicks.
Continue reading: Spider-Man 3 Review
Tobey Maguire returns to the massively popular Spider-Man franchise after a two-year hiatus. And in case you forgot what happened in the summer of 2002, director Sam Raimi is happy to synopsize it for us in the first 40 minutes of this sequel. Poor Peter Parker can't win: He didn't get the girl (Kirsten Dunst as Mary Jane), his beloved uncle is dead, Aunt May is about to lose her house, and he's failing out of college because he doesn't have time to study - he's too busy chasing down street thugs in his spidey suit.
Continue reading: Spider-Man 2 Review
Tatum O'Neal's celebrated (and Oscar-winning) turn as the daughter of a traveling grifter (played by dad Ryan O'Neal) is reason number one to watch the film, but dad's not too shabby, either. Their story is a pretty simple one: Con man Moses (Ryan) finds himself the sole caretaker of otherwise orphaned daughter Addie (Tatum). He can't pawn her off, but soon finds her pulling her own weight as she helps size up rubes as part of his scam: selling "deluxe" Bibles to the widows of the recently deceased. Eventually dad and daughter move on to bigger crimes and more amusing hijinks, including a stint with dad falling for a bawdy lounge singer (Madeline Kahn) and the duo nearly getting busted for bootlegging whisky.
Continue reading: Paper Moon Review
In Unfaithful, as with Fatal Attraction, Lyne uses a seemingly normal suburban family as the target for adulterous activities. Edward Sumner (Richard Gere) is the owner of an armored car company who works long hours in the office and at home. Edward's wife, Connie (Diane Lane), appears to be the happy housewife as she gets their son Charlie (Erik Per Sullivan) dressed, fed, and off to school every morning. Connie is working on an auction fundraiser for Charlie's school when a dark, exotic stranger Paul (Olivier Martinez) drifts into her life. (Sounds like porn, doesn't it?) Their initial encounter is innocent, but built on a series of lies and deceptions, a fanatical love affair is struck between the two strangers.
Continue reading: Unfaithful Review
After a witty lead like that, at this point in the movie review, I usually launch into a brief plot synopsis. So here goes: A down-to-earth teenage girl hates her crazy mother.
Continue reading: Anywhere But Here Review
We soon see that Conrad's problems run deep, as what should be quaint little interactions between he and doting mom (Mary Tyler Moore, excellent here), or he and imperviously upbeat dad (Donald Sutherland, ditto) turn perverse and creepy. His shrink (Judd Hirsch) doesn't offer any "It's not your fault" platitudes, leaving Conrad's healing process up to himself. The only joy he finds is with his new girl Jeannine (Elizabeth McGovern, in her second role ever), who would be perfectly cast -- except she looks too much like Karen (Dinah Manoff), Conrad's friend from the hospital.
Continue reading: Ordinary People Review
We're far too excited about the new season of this epic anthology series.
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Once a fire fighter, always a fire fighter.
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Adrian Lyne is a director in flux. His mainstream film pedigree shows an aptitude...