Allison Tolman - ELLE's Women In Television Celebration presented by Hearts on Fire Diamonds and Olay held at the Sunset Tower Hotel at Sunset Tower Hotel - Los Angeles, California, United States - Wednesday 20th January 2016
Based on ancient mythology, this Christmas horror movie has a gleefully nasty attitude that makes it entertaining even if it isn't properly frightening. This is mainly because the marauding monsters remain sketchy at best, never developing anything more than a superficial sense of dread. But the ace cast is terrific at engaging the audience,and the filmmakers keep viewers gripped as they play merrily with cliches from both horror and holiday movies.
It opens on a recognisably stressed-out Christmas season, as Tom and Sarah (Adam Scott and Toni Collette) feel their relationship straining under the pressure of work and holiday plans. They and their teen kids Beth and Max (Stefania LaVie Owen and Emjay Anthony) are dreading the arrival of their Aunt Linda and Uncle Howard (Allison Tolman and David Koechner) and their boorish kids. Then the drunken Aunt Dorothy (Conchata Ferrell) turns up unannounced. Tom's German mother (Krista Stadler) watches all of this with a silent, knowing dread. But the real threat is outside the house, as a vicious ice storm settles in, knocking out the power and unleashing a ferocious Anti-Santa and his evil gang of elves and killer toys.
The film is strikingly well shot and edited, as director Michael Dougherty orchestrates the comedy, drama and action to focus on the gifted actors. While the design and in-camera effects are clever, much of the digital effects work is ropey, giving the movie a cartoonish sheen. And the monsters themselves are eerily expressionless: ghoulish puppets with immobile faces. So they're extremely creepy, but not particularly menacing, because they have no personalities at all. Thankfully, Scott, Collette, Koechner and Tolman are experts at sliding effortlessly between comedy, drama and terror. And young Anthony gives the film a blast of resonance as Max, a boy still young enough to believe in Santa who thinks he has brought all of this violence down on his family.
Continue reading: Krampus Review
For a lot of kids, the Christmas holidays is their favourite time of year, all the family is together, Christmas day usually brings gifts from Santa and the thought of time off school all amount to smiles in most homes. Max's family is one of those who've got together for the holidays and you'd think that he'd be a happy boy, but when he has a change of heart about the Christmas period, he accidentally evokes the wrath of an ancient force who punishes ungrateful people over the Christmas period - the complete opposite to that of the children loving, gift giving, Saint Nicholas.
Max and his family must team together to find a way to survive the Christmas period without Krampus and his little helpers destroying their entire family.
You better watch out, You better not cry, You better not pout, I'm telling you why: Krampus is coming to town.
Marketed as a horror-thriller, this sharply well-made film is actually a bleak drama with a strong message about bullying. Actor turned writer-director Joel Edgerton creates a vividly creepy atmosphere as he digs into the perceptions and motivations of three central characters, and he finds plenty of opportunity to unnerve the audience in the process. There are a few big jolts, but it's the unsettling themes that freak us out.
There has clearly already been quite a lot of trauma in the marriage between Simon and Robyn (Jason Bateman and Rebecca Hall), so much so that they've packed up their home in Chicago and moved to Los Angeles to start over. As they're settling into their stunning new home in the hills, Simon runs into his old school friend Gordon (Edgerton), who seems to appear out of nowhere, worming his way into their life with a series of thoughtful gifts. But Simon doesn't want to reconnect with Gordon, whom he always thought was a weirdo, which Robyn thinks is rather cruel. She reluctantly agrees with Simon that they break contact with Gordon, due to pressures at work and in their attempts to start a family. But things immediately turn very nasty. And Robyn realises that there's more to Simon and Gordon's past than either is letting on.
With a pungent sense of foreboding, the film is instantly riveting, mainly because it resembles movies like Fatal Attraction. So we brace ourselves for that bunny-boiling moment, and as a writer, director and actor, Edgerton plays with us mercilessly, dropping all kinds of hints and revelations about the reality beneath the surface of these characters. But instead of turning into a crazed, violent thriller, the film instead takes a much more internalised approach, generating suspense from the implications of what is happening. Essentially, it works because it forces us to understand even the darkest motivations of the characters.
Continue reading: The Gift Review
Simon and Robyn barely have time to contemplate their perfect lives with their happy marriage and beautiful new house when they come face to face with the less than perfect past. While shopping at a department store Simon bumps into an old classmate named Gordo, though it takes a while for him to recognise him. When a bottle of expensive wine shows up on their doorstep from Gordo, they are left wondering how he got the address but nonetheless invite him over for dinner to say thank you for the house-warming gift. But pretty soon Gordo starts frequently showing up uninvited with stranger and stranger gifts, and when Simon tries to break off their unwanted friendship, things start to get scary. Threatening notes are left, Robyn's fish are suddenly dead and their house is being vandalised. Robyn starts to become seriously suspicious of her husband when the suggestion of an uncomfortable past between the two men arises, and she's desperate to find out what happened before things get out of hand.
Continue: The Gift Trailer
Allison Tolman - A host of stars were snapped as they attended the British Academy of Film and Television Awards (BAFTA) Los Angeles Tea Party which were held at The Four Seasons Hotel in Beverly Hills, Los Angeles, California, United States - Sunday 11th January 2015
With most loose ends tied up in the present, the show is diving into the past for new material.
After Fargo’s very definitive season finale (don’t worry, this article contains absolutely zero spoilers), the question of the day was how would showrunner Noah Hawley and the writing team move the story forward to Season 2? Well, they’re not. They’re moving it back instead.
Allison Tolman will not be playing Molly's mom, Hawley assured reporters.
During an appearance at the TCA Summer Press Tour, Hawley offered some major details of the plot for Season 2.
Continue reading: 'Fargo' Creator Noah Hawley Teases Season 2 Plot At TCA Press Tour
It looks like the team behind hit US comedy crime drama Fargo are taking tips from True Detective when it comes to Season 2.
John Landgraf, CEO of FX Networks, announced at the TCA Awards that the next season of the acclaimed television series based on the Coen Brothers' 1996 film of the same name will feature an all-new cast, a diffent time period setting, and a new "true crime" story that will unfold over the new ten episode run. The first series featured an allstar line-up including Academy Award nominee Billy Bob Thornton, Hobbit star Martin Freeman and 'son of Tom' Colin Hanks.
British actor Martin Freeman played a main role in the show's first series. Image: FX
Continue reading: Fargo Season 2 Takes Tips From True Detective
'The Hobbit' star Martin Freeman is snapped arriving on the red carpet of FX Networks Upfront screening of their upcoming crime drama series 'Fargo' held at SVA Theater in New York. The series is written by Noah Hawley and is based on the Coen brothers' 1996 film of the same name.
Based on ancient mythology, this Christmas horror movie has a gleefully nasty attitude that makes...
Marketed as a horror-thriller, this sharply well-made film is actually a bleak drama with a...