Alison Lohman - Los Angeles World Premiere of 'The Night Before' at The Theatre at The ACE Hotel - Arrivals at The Theatre at ACE Hotel - Los Angeles, California, United States - Wednesday 18th November 2015
Alison Lohman - Celebrities attend Los Angeles World Premiere of 'The Night Before' at The Theatre at The ACE Hotel at The Theatre at The ACE Hotel - Los Angeles, California, United States - Wednesday 18th November 2015
Unfortunately, the film is a cacophonous mess without a single interesting character.
In the nearish future, roleplay game-maker Ken Castle (Hall) has made his fortune with two games that let people live vicariously through others: the sex-and-party Society and the war-and-destruction Slayers. The twist is that the gamers are controlling actual people due to nano technology implanted in the performers' brains. In Slayers, they're all death row inmates firing real bullets, and the global megastar performer is Kable (Butler), controlled by rich geek Simon (Lerman). But Kable longs to escape and find his wife (Valletta), and a renegade hacker (Bridges) sets his escape in motion.
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Loan Officer Christine Brown (Alison Lohman) wants the available assistant manager position in her bank. She hopes it will impress the parents of her psychology professor boyfriend Clay Dalton (Justin Long). But when a need for cutthroat tactics causes her to deny a geriatric gypsy woman (Lorna Raver) a third extension on her mortgage, there is literally hell to pay. Seems the old lady places a curse on Christine, guaranteeing that, in three days, a demon will arrive to drag her down to Satan's dominion. Hoping to avoid such a horrible fate, she seeks the aid of psychic Rham Jas (Dileep Rao). He suggests a medium (Adriana Barraza) who had a run in with the same spirit several years before. Unfortunately, it seems Christine's soul is condemned, and nothing can save her.
Continue reading: Drag Me To Hell Review
Buscemi's character in Tom DiCillo's Delirious is Les Galantine, a "licensed professional" photographer who is undistinguished even by paparazzi standards and ratlike even by Buscemi standards. An irritable loner, Les roams alleys and back entrances with a pack of similar-minded (but slightly less desperate) shutterbugs, grasping for shots of stars like pop sensation D'Harma (Alison Lohman). It's at one of these melees that he bumps into the genially homeless Toby (Michael Pitt); soon Toby has a reluctant, unstable ally and a place to stay. Les, in turn, has someone to listen to his rants and delusions, and to accompany him on sad visits to his elderly parents -- unimpressed, of course, with his published pictures.
Continue reading: Delirious Review
The Beowulf legend originates from a 700 A.D. oral tradition that was adapted in epic poem form by the English and into film form by director Robert Zemeckis -- using motion-captured live-action performances that are turned into a computer-generated light show. Much like the IMAX 3D screenings of Zemeckis' previous effort, The Polar Express, Beowulf's tale of a hero who comes to rid a Scandinavian village of its monster, while screaming his name every chance he gets, is more a showcase for RealD technology than an engaging film.
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But even Scott proves that he can't suppress his frosted side forever, thanks to this spirited and undeniably sweet look at the con game spliced with a family drama -- his best work in years.
Continue reading: Matchstick Men Review
In the film, Bloom's grown son, Will (Billy Crudup) is tired of the imaginative stories his dad has told him since he was young, and decides to only communicate with his mom (Jessica Lange). But, as the elder Bloom approaches the end of his life, Will puts aside his differences and chooses to find the truth behind all the stories in hopes of learning more about his dad. The only way Will knows how to find the answers he seeks is to retell the stories and let us be the judge.
Continue reading: Big Fish Review
The novel White Oleander was a 1999 selection of the ubiquitous Oprah Winfrey Book Club and you can tell why: There are so many brutally dysfunctional people in the story that Dr. Phil could produce months of television delving into their sorry lives. Astrid (Alison Lohman) is an only child, growing up in the Hollywood Hills with Ingrid (Michelle Pfeiffer), her eccentric, urban-arty mother. After a series of events that Kosminsky smartly keeps off-camera, Ingrid kills her boyfriend. Or does she? And how? Regardless, the beautiful, hopeful, young Astrid is picked up by state services and sent to live in a double-wide with a foster family.
Continue reading: White Oleander Review
Date of birth
18th September, 1979