When a group of friends decide to go away for a long weekend to a luxurious island resort, they are all eager to kick back and have some fun. The entourage decides to visit one of the most exclusive clubs on the island and soon make friends with the clubs owner who propositions one of the group with an offer to try a new designer drug that is sure to give the takers a once in a lifetime experience.
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Alison Lohman - Los Angeles World Premiere of 'The Night Before' at The Theatre at The ACE Hotel - Arrivals at The Theatre at ACE Hotel - Los Angeles, California, United States - Wednesday 18th November 2015
Alison Lohman - Celebrities attend Los Angeles World Premiere of 'The Night Before' at The Theatre at The ACE Hotel at The Theatre at The ACE Hotel - Los Angeles, California, United States - Wednesday 18th November 2015
Unfortunately, the film is a cacophonous mess without a single interesting character.
In the nearish future, roleplay game-maker Ken Castle (Hall) has made his fortune with two games that let people live vicariously through others: the sex-and-party Society and the war-and-destruction Slayers. The twist is that the gamers are controlling actual people due to nano technology implanted in the performers' brains. In Slayers, they're all death row inmates firing real bullets, and the global megastar performer is Kable (Butler), controlled by rich geek Simon (Lerman). But Kable longs to escape and find his wife (Valletta), and a renegade hacker (Bridges) sets his escape in motion.
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Loan Officer Christine Brown (Alison Lohman) wants the available assistant manager position in her bank. She hopes it will impress the parents of her psychology professor boyfriend Clay Dalton (Justin Long). But when a need for cutthroat tactics causes her to deny a geriatric gypsy woman (Lorna Raver) a third extension on her mortgage, there is literally hell to pay. Seems the old lady places a curse on Christine, guaranteeing that, in three days, a demon will arrive to drag her down to Satan's dominion. Hoping to avoid such a horrible fate, she seeks the aid of psychic Rham Jas (Dileep Rao). He suggests a medium (Adriana Barraza) who had a run in with the same spirit several years before. Unfortunately, it seems Christine's soul is condemned, and nothing can save her.
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The Beowulf legend originates from a 700 A.D. oral tradition that was adapted in epic poem form by the English and into film form by director Robert Zemeckis -- using motion-captured live-action performances that are turned into a computer-generated light show. Much like the IMAX 3D screenings of Zemeckis' previous effort, The Polar Express, Beowulf's tale of a hero who comes to rid a Scandinavian village of its monster, while screaming his name every chance he gets, is more a showcase for RealD technology than an engaging film.
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In the film, Bloom's grown son, Will (Billy Crudup) is tired of the imaginative stories his dad has told him since he was young, and decides to only communicate with his mom (Jessica Lange). But, as the elder Bloom approaches the end of his life, Will puts aside his differences and chooses to find the truth behind all the stories in hopes of learning more about his dad. The only way Will knows how to find the answers he seeks is to retell the stories and let us be the judge.
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The novel White Oleander was a 1999 selection of the ubiquitous Oprah Winfrey Book Club and you can tell why: There are so many brutally dysfunctional people in the story that Dr. Phil could produce months of television delving into their sorry lives. Astrid (Alison Lohman) is an only child, growing up in the Hollywood Hills with Ingrid (Michelle Pfeiffer), her eccentric, urban-arty mother. After a series of events that Kosminsky smartly keeps off-camera, Ingrid kills her boyfriend. Or does she? And how? Regardless, the beautiful, hopeful, young Astrid is picked up by state services and sent to live in a double-wide with a foster family.
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Adapting a novel by Rupert Holmes, writer-director Atom Egoyan (Ararat) guides the story of a reporter in the '70s digging for dirt on a defunct '50s comedy team Lanny and Vince (Kevin Bacon and Colin Firth, respectively). In doing so, he has created a fusion of noir mystery and showbiz tell-all, which explains why it's interesting even when it's not making much sense, and also why all of the women in both of the movie's eras look like femmes fatale.
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If it weren't for the cache that came with being a selection in Oprah Winfrey's short-lived book club, any film adaptation of Janet Fitch's "White Oleander" would likely have wound up as a weepy, cable TV movie-of-the-week melodrama in which struggling former stars cry out for credibility.
But Warner Bros. dollars and a dedicated pedigree cast make all the difference in bringing to the screen this earnest (if not profound) saga of a tender teenage girl's roller-coaster ride through foster care after her bourgeois artiste mother is imprisoned for poisoning an errant lover.
Michelle Pfeiffer shows some serious bite as the girl's affectionate but inattentive, domineering and pernicious jailbird mom, who becomes subtly but increasingly detrimental to her daughter's psyche with every prison visit. And with foster parents played by Robin Wright Penn (as an aging white-trash tart who sees the 14-year-old heroine as sexual competition) and Renée Zellweger (as a sweet but clingy, failed L.A. actress looking more for a girlfriend than a daughter), you might think inexperienced lead actress Alison Lohman (Fox TV's "Pasadena") would have a hard time standing out.
Continue reading: White Oleander Review
Date of birth
18th September, 1979
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