I've received a lot of criticism for bashing Jennifer Aniston's new flick The Good Girl. Although I admit my complaints were drawn from an intentionally drowsy style and tedious writing, I strongly believe that no matter how purposefully uneventful a character's life, the movie is still responsible for making the character interesting to watch for two hours--a feat The Good Girl did not accomplish.

All or Nothing earns exactly the same complaints for exactly the same reasons, except instead of one central character there are dozens--so many that the press notes contain an entire list of "Who's Who" so reviewers won't get confused. I suppose the list did help me define each character's role in the story, but the problem isn't that there are too many characters, but that I didn't care about any of them!

Continue reading: All Or Nothing Review