Aline Brosh McKenna - ELLE's Women In Television Celebration presented by Hearts on Fire Diamonds and Olay held at the Sunset Tower Hotel at Sunset Tower Hotel - Los Angeles, California, United States - Wednesday 20th January 2016
A solid cast bodes well for this unnecessary remake of the 1982 movie (based on the 1970s musical), but the filmmakers' decision to turn the catchy songs into bland pop numbers is the real mistake. It leaves the entire film feeling empty, highlighting director Will Gluck's clunky direction, which includes coaxing Cameron Diaz to a squirm-inducingly over-the-top performance. Young children probably won't mind, but as the movie lurches awkwardly from one messy set piece to the next, the lack of a decently arranged musical number makes everything look dull and witless.
In Harlem, 10-year-old Annie (Quvenzhane Wallis) is an orphan living in a foster home with four other girls, run by the greedy Miss Hannigan (Diaz). Smart and quick-witted, Annie longs for a day when she can be reunited with her parents. Then she has a run-in with Will Stacks (Jamie Foxx), a workaholic mobile phone executive who's running for New York mayor. Will's advisor Guy (Bobby Cannavale) suggests that he take Annie in temporarily to boost his poll numbers, and once settled in his spacious penthouse apartment she immediately charms Will's assistant Grace (Rose Byrne) and driver Nash (Adewale Akinnuoye-Agbaje). And she begins to work her way into Will's heart as well.
From here, Gluck completely misses the point of the play, trying desperately to crank up a ridiculous scam subplot into some big final-act action mayhem. But this never gains any traction at all because it's clear what has to happen in the story. Indeed, the best thing on screen is the strong chemistry between Foxx and Wallis, who find moments of genuine humour and connection even in the silliest slapstick. And they seem almost reluctant every time they have to dive into yet another insipidly revamped song. Pop star Sia worked on them, but loses all the charm in the attempt to turn each one into a chart-topping clone. Fans of the original music will enjoy the brief riffs of the originals audible here and there, and they'll leave the cinema wanting to revisit the old numbers instead of these Frankenstein versions.
Continue reading: Annie Review
Kenneth Branagh brings 1950 Disney favourite 'Cinderella' to life with live action adaptation.
Finally, Disney has unveiled the first full trailer for Kenneth Branagh's live action rendition of one of the world's most beloved fairytales: Cinderella. And it looks to be one of the most visually stunning fantasy flicks of the coming months.
Lily James stars as the troubled Cinderella
The movie industry has been going crazy with its throwback Grimm adaptations, and it doesn't look like anyone's had enough of it yet. While many movies have opted for the spin-off, original stories - such as 'Sleeping Beauty' adaptation 'Maleficent' and 'Snow White and the Seven Dwarves' comeback 'Snow White and the Huntsman', not to mention forthcoming fairytale omnibus 'Into The Woods' - director Kenneth Branagh and screenwriters Aline Brosh McKenna and Chris Weitz have gone for the more traditional approach with 'Cinderella'.
Cameron Diaz will be playing Miss Hannigan in a new film of the Broadway musical 'Annie'. Sandra Bullock has previously been linked to the role but Sony confirmed Diaz would be starring yesterday (26th June 2013).
Sony have confirmed Cameron Diaz will be starring in Will Smith and Jay Z's musical re-envisioning of the hit Broadway musical Annie. Diaz has landed the role of Miss Hannigan, the cruel manager of the orphanage Annie initially lives in. Sandra Bullock was previously linked to the role and was involved in talks with Annie producers. However, it has been confirmed Diaz has the part.
Annie, initially a comic strip, was turned into a musical, opened on Broadway in 1977. The musical was turned into a film just five years later (1982). Carol Burnett played Miss Hannigan in this version, although her performance was slated by critics (as was the film in general which is still considered one of the worst in film history).
Cameron Diaz at the 2013 Met Gala, New York
Continue reading: Cameron Diaz Is Miss Hannigan In Will Smith And Jay Z's 'Annie'
Sandra Bullock is in talks with producers of the upcoming Hollywood remake of ‘Annie,’ according to The Wrap. Rumours of Bullock’s involvement started circulating in March, although it is believed talks have since reopened with Sony and Overbrook Entertainment.
The musical, first shown on Broadway in 1977, was made into a film in 1982. Should the studio’s plans come into fruition, the actress would be playing Miss Hannigan: the abusive overseer of Annie’s orphanage. As such, Bullock will be competing with Carol Burnett’s performance.
This role would mark a change for the actress who has previously appeared as the heroine in the majority of her films including The Blind Side, The Proposal and All About Steve.
Continue reading: Sandra Bullock In Talks For Jay-z And Will Smith’S ‘Annie’
After his wife dies, Benjamin (Damon) is struggling to keep his kids - 14-year-old Dylan (Ford) and 7-year-old Rosie(Jones) - happy, mainly because he has lost the daredevil storyteller within himself. So against the advice of his goofy-but-sensible brother (Church), Benjamin buys a run-down zoo and moves there with his children to get it up and running again. Zookeeper Kelly (Johansson) and her team (including Macfadyen and Fugit) don't think he'll stick it out. And indeed, it's more of a challenge than he ever imagined.
Continue reading: We Bought A Zoo Review
In Boston, Kate (Parker) has a loving husband, Richard (Kinnear), and two adorable children. Everyone watches her in wonder as she juggles her responsibilities as a wife, mother and high-powered investment banker. But the constant business trips are taking their toll, especially when she's required to work regularly in New York with investor Jack (Brosnan). It's a struggle, but Kate keeps everything running. The question is whether anyone is actually happy with the situation.
Continue reading: I Don't Know How She Does It Review
Becky (McAdams) is an ambitious young TV producer who has always dreamed of working for NBC's Today show. After being sacked from her job at a local New Jersey station, she finds work at low-rated network programme Daybreak. Sparky anchor Colleen (Keaton) gives Becky a run for her money in the energy stakes, and when Becky lands jaded veteran reporter Mike (Ford) as cohost, things start to get messy. Soon her boss (Goldblum) tells her that the show will be cancelled if ratings don't improve drastically. So Becky takes drastic action.
Continue reading: Morning Glory Review
But don't blame the leads. Last year's breakout charmers Katherine Heigl (Knocked Up) and James Marsden (Hairspray, Enchanted) almost salvage this shabby, flabby date movie. He displays impressive comedic timing, and she shows off her deep reservoir of charm. If Knocked marked the arrival of a new rom-com starlet, Dresses at least proves Hollywood's relationship with Heigl is built to last.
Continue reading: 27 Dresses Review
We've all had the proverbial "bad job." In fact, so many people have had the proverbial bad job that there's a cottage industry of books and movies about having a bad job. From 9 to 5 to Office Space, the evil bosses of the world never seem to catch a break.
The Devil Wears Prada is the latest in that line and an indictment of the fashion magazine industry, based on author Lauren Weisberger's experience as an assistant to the notoriously fussy Vogue editor Anna Wintour. The film follows every tradition we've come to expect from this genre: Plucky yet unrefined Andrea (she rides the subway!) is fresh off the boat from college. She soon lucks into a job offer from Runway editor Miranda Priestly (Meryl Streep), and we know from the first scene it's going to be a terrible match.
Continue reading: The Devil Wears Prada Review
Are you laughing yet? You should be, considering Attraction tries to emulate the razor-edge wit of Adam's Rib, the classic 1940s comedy on which this film is based. Instead, Attraction hinges too much on a lifeless plot where all of the action is fueled by an overabundance of annoying banter between its two stars.
Continue reading: Laws Of Attraction Review
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Tristan Corrigan on the difficulties of making music within a genre that is so popular.
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