Alicia Witt - The Art of Elysium presents Vivienne Westwood and Andreas Kronthaler 2016 HEAVEN Gala - Arrivals at 3LABS in Culver City - Los Angeles, California, United States - Saturday 9th January 2016
Mabel 'Madea' Simmons is an enormous, rude and often violent grandmother who is displaying an unusual amount of holiday spirit this year by becoming Father Christmas for a night for five dollars per child. This year she is also getting roped into her best friend Eileen's efforts to visit her daughter in the country as a surprise during the holidays, but things don't go smoothly on their arrival as secrets are unveiled and friendships and family bonds are challenged as the town prepare for their annual Christmas Carnival. Will Madea manage to save Christmas for the family? Or will holiday spirits drop to an all time low as the New Year approaches?
Continue: Tyler Perry's A Madea Christmas Trailer
Wayne Wang's Last Holiday might be the first film to allow both bright spots to shine in support of a good feature. Essentially a remake of a 1950s Alec Guinness comedy, Holiday casts Latifah as Georgia Bird, a kind-hearted department store sales clerk who is too shy to ask out her dream man, Sean (Cool J), and too timid to pursue her dream career as a chef. After receiving a brutal bump on the head at work, Georgia is diagnosed with a rare form of brain cancer and told she has three weeks to live. This shocking truth jolts the homebody out of her mundane existence. She drains her bank account, books a flight to Prague, and proceeds to splurge on life's finer points before her time runs out.
Continue reading: Last Holiday Review
In yet another robust female role, Allen plays Terry Wolfmeyer, a mother of four grown daughters who is consumed with anger after her husband mysteriously abandons his family. Terry's convinced that he's left her for his younger, more beautiful Swedish secretary. Paralyzed by her outrage, the only way Terry is able to deal with the situation is by drinking. Each day, from the time she takes her morning shower to the time goes to bed, Terry has a glass of vodka in her hand ready to drown her sorrows.
Continue reading: The Upside Of Anger Review
Claire is a "brilliant" 23-year old pianist, which is apt casting for Witt, considering she is also a real-life piano prodigy. On the eve of her graduation from the San Francisco Academy of Music, Claire's life starts to come undone. First she doesn't make it into a big piano competition. Then she gets dumped, then evicted, then just plain whiny as she realizes her family (with whom she is now forced to live) is full of freaks.
Continue reading: Playing Mona Lisa Review
But Two Weeks Notice has appeal beyond being a Sandra Bullock vehicle or a standard romantic comedy. Although Bullock does have her routine primped and polished, Two Weeks Notice benefits from more: a snappy, likable script by writer/director Marc Lawrence (writer of Forces of Nature and Miss Congeniality) and a witty, near-flawless performance by Hugh Grant.
Continue reading: Two Weeks Notice Review
Fun, the more recent of the two films, is the story of two American middle-class teens, one (Renee Humphrey's Hillary) is the victim of an abusive father, the other (Alicia Witt's Bonnie) is an ultra-hyper compulsive liar. The two discover an instant bond and after one fun-filled day of adventure, they decide to end the day's games with the brutal murder of a local grandmother whose primary preoccupation is with BINGO. For "fun."
Continue reading: Fun Review
If John Waters' last few gentler and (slightly) more commercial movies ("Pecker," "Serial Mom," "Cry-Baby") had his fans thinking the once-warped director had lost his edge, that perhaps he was inching toward mainstream repeatability, they need not fear. It was all a ruse.
It seems Waters was only lulling the cinematic establishment into a false sense of security so he could turn around and bite them in the ass with "Cecil B. Demented," a hilarious -- and very much old-school John Waters -- anti-blockbuster romp that chews up and spits out the kind of pandering Hollywood conventions that to toothless, cookie-cutter box office hits.
Cecil B. Demented (Stephen Dorff), you see, is an independent filmmaker of the purest order. His goal: cinematic revolution by any means necessary. If that includes kidnapping one Honey Whitlock (Melanie Griffith), Hollywood's biggest spoiled bitch/aging bimbo star, and forcing her at gun point to play a lead in his guerilla movie about celluloid terrorists (much like himself), so be it.
Continue reading: Cecil B Demented Review
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