Alicia Witt - A variety of stars were photographed as they arrived for the New York premiere of 'Danny Collins' which was held at the AMC Lincoln Square Theater in New York City, New York, United States - Wednesday 18th March 2015
Alicia Witt - A variety of stars were snapped as they arrived for the Art of Elysium's 8th Annual Heaven Gala held which was held at Hangar 8 in Los Angeles, California, United States - Sunday 11th January 2015
Alicia Witt - A variety of stars were snapped as they arrived for the Art of Elysium's 8th Annual Heaven Gala held which was held at Hangar 8 in Los Angeles, California, United States - Saturday 10th January 2015
Alicia Witt - Shots as Showtime celebrated the launch of new seasons Of TV shows "Shameless," "House Of Lies" and "Episodes" The event was held at Cecconi’s Italian restaurant in West Hollywood, California, United States - Tuesday 6th January 2015
Alicia Witt - Photographs as Showtime celebrated the launch of new seasons Of TV shows "Shameless," "House Of Lies" and "Episodes" The event was held at Cecconi’s Italian restaurant in West Hollywood, California, United States - Tuesday 6th January 2015
Mabel 'Madea' Simmons is an enormous, rude and often violent grandmother who is displaying an unusual amount of holiday spirit this year by becoming Father Christmas for a night for five dollars per child. This year she is also getting roped into her best friend Eileen's efforts to visit her daughter in the country as a surprise during the holidays, but things don't go smoothly on their arrival as secrets are unveiled and friendships and family bonds are challenged as the town prepare for their annual Christmas Carnival. Will Madea manage to save Christmas for the family? Or will holiday spirits drop to an all time low as the New Year approaches?
Continue: Tyler Perry's A Madea Christmas Trailer
Wayne Wang's Last Holiday might be the first film to allow both bright spots to shine in support of a good feature. Essentially a remake of a 1950s Alec Guinness comedy, Holiday casts Latifah as Georgia Bird, a kind-hearted department store sales clerk who is too shy to ask out her dream man, Sean (Cool J), and too timid to pursue her dream career as a chef. After receiving a brutal bump on the head at work, Georgia is diagnosed with a rare form of brain cancer and told she has three weeks to live. This shocking truth jolts the homebody out of her mundane existence. She drains her bank account, books a flight to Prague, and proceeds to splurge on life's finer points before her time runs out.
Continue reading: Last Holiday Review
In yet another robust female role, Allen plays Terry Wolfmeyer, a mother of four grown daughters who is consumed with anger after her husband mysteriously abandons his family. Terry's convinced that he's left her for his younger, more beautiful Swedish secretary. Paralyzed by her outrage, the only way Terry is able to deal with the situation is by drinking. Each day, from the time she takes her morning shower to the time goes to bed, Terry has a glass of vodka in her hand ready to drown her sorrows.
Continue reading: The Upside Of Anger Review
Claire is a "brilliant" 23-year old pianist, which is apt casting for Witt, considering she is also a real-life piano prodigy. On the eve of her graduation from the San Francisco Academy of Music, Claire's life starts to come undone. First she doesn't make it into a big piano competition. Then she gets dumped, then evicted, then just plain whiny as she realizes her family (with whom she is now forced to live) is full of freaks.
Continue reading: Playing Mona Lisa Review
But Two Weeks Notice has appeal beyond being a Sandra Bullock vehicle or a standard romantic comedy. Although Bullock does have her routine primped and polished, Two Weeks Notice benefits from more: a snappy, likable script by writer/director Marc Lawrence (writer of Forces of Nature and Miss Congeniality) and a witty, near-flawless performance by Hugh Grant.
Continue reading: Two Weeks Notice Review
But Lynch fans might find stuff to enjoy in Dune anyhow. After all, there's a floating bug monster that parlays with Jose Ferrer's space emperor in the early going, flanked by legions of somnambulant slaves in black raincoats that probably inspired the villains in Dark City. This is followed by Kenneth MacMillan's puss-faced Baron Harkonnen floating around on wires, plucking out the heart of an angel-faced boy-toy (who was planting Blue Velvet-style pastel flowers only moments earlier), and sharing some homo-erotic blubbering with his nephew Feyd (played by Sting, who can't act but lends the film his charismatic rock star presence). Even when the plot is difficult to follow -- some nonsense involving a trade war over different planets that all made sense in Frank Herbert's original novel -- there's enough giddy comic book theatrics to keep Dune interesting as it meanders along for nearly three hours.
Continue reading: Dune (1984) Review
It starts off bad enough. As the credits announce the four writer/directors (Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino), a cartoon sequence plays over them, in the tradition of cinematic masterpieces like Mannequin. This sets the stage: New Year's Eve at Hollywood's Mon Signor Hotel and only one bellhop (Tim Roth), and believe me, it's a rillyrilly wacky place. The film then launches into the first of four 30ish-minute shorts, one by each director.
Continue reading: Four Rooms Review