We all know the soundtrack, those simple few chords that have backed many great sporting moment have become synonymous in the sporting world. Now, after 31 years since it's initial release, the true story of two very different runners in the 1924 Paris Olympics will be released once again, this time in full digitalised glory, as Chariots of Fire is set to be released once more as part of the London 2012 Festival.
Continue: Chariots Of Fire Trailer
One of Merlin's apprentices, Balthazar (Cage), has been searching for Merlin's heir for nearly three thousand years, finally locating him in New York City in physics geek Dave (Baruchel). Doubtful but intrigued, Dave learns that Balthazar's ex-colleague Horvath (Molina) is determined to resurrect the evil Morgana (Krige) to destroy humanity. But Dave is badly preoccupied by the fact that the girl (Palmer) he has loved since age 9 is suddenly showing him some interest. Can't this world-saving business wait?
Continue reading: The Sorcerer's Apprentice Review
In 1965, the Laing family is caught in a loophole of the 1950 law prohibiting South Africans from living or studying with people of another racial group. The problem is that Sandra (Ramangwane then Okonedo) looks more black than her white parents Abraham and Sannie (Neill and Krige). Treated horribly by teachers in her all-white school and abused by strangers, The Laings go to court to officially classify Sandra as white. But this has repercussions when she falls in love with a black man (Kgoroge) and can't legally live with her husband or children.
Continue reading: Skin Review
The story begins with decent promise as Freeman is revealed to be a stellar hitman, only his cover is finally blown and the many enemies he's made over the years come after him. He escapes an elaborate assassination and runs into the wilderness, only to be apprehended (because he's in handcuffs) by a camping father (John Cusack) and his son. While the trio attempts to get back to civilization to turn Freeman in, they're pursued by the bad guys and the good guys, and they still have to deal with harsh terrain surrounding them. Beresford's setup starts strong but soon peters out and gets repetitive as Cusack faces down one impossible situation after another, but never with much finesse. It's just running around on a mountain, often in the dark: The final showdown takes place completely and absurdly without lighting and pretty much seals the movie's doom.
Continue reading: The Contract Review
Or else they are the devil, as this virtual clone of The Omen shows us. The Calling, a direct-to-video scare flick, is so faithful to its obvious source material that after about an hour I began to wonder where it would diverge. Sure enough, it's right there at the end, when mom (Laura Harris) can't take it any more and decides to off her Satanic son (Alex Roe-Brown) for real. Never mind the cultists (including her husband, Richard Lintern) -- a group that makes up virtually the entire populace of the Isle of Man, the odd choice for the setting of this picture.
Continue reading: The Calling Review
Unfortunately, that's a scene you won't find in the USA Network's made-for-television Attila, the latest attempt to cash in on the success of Gladiator. A boy becomes a warrior who becomes a king powerful enough to challenge an empire. Are you not entertained?
Continue reading: Attila Review
Today, that Vangelis score -- produced when everyone thought the synthesizer was a really cool idea -- probably wouldn't win the Oscar it won in 1981. And whether Chariots itself would win Best Picture (among the total of four awards it was bestowed) is a matter for debate.
Continue reading: Chariots Of Fire Review
Jonthan "Riker" Frakes is at the helm this time, taking the Next Generation crew on its first mission without the original series cast. The setup comes fast, as Frakes trots out one of the series' most reliable villains: The Borg. Building from the mythology set up in the series, Picard (a former Borg captive) has a serious axe to grind, and when Starfleet ends up in a skirmish with an invading Borg ship, he defies orders and engages them in battle. The day is won, but an escape pod shoots from the ship, tunnels through time (stop rolling your eyes), and lands on earth. We see the effects immediately: The Borg has completely taken over the planet. The only sensible solution: Follow the Borg through the time hole and try to wipe 'em out in the past.
Continue reading: Star Trek: First Contact Review
If Jonathan Lipnicki is washed up at 18 and looking back on his career as a button-cute child star, "The Little Vampire" is will very likely be the picture that embarrasses him most.
A quick, sloppy production of a throwaway script about a little boy who befriends a family of bloodsuckers and helps them recover a magic amulet, it suffers from a pungent collective apathy that wafts off the screen from the cast and crew. The little kids in the picture seem like they're just playing vampire in grandma's dusty attic and not really trying to participate in the plot. The grown-ups in the cast (including respectable actors like Richard E. Grant and John Wood) give let's-get-this-over-with performances and most scenes feel like the director didn't say "Cut!" so much as "Oh that's good enough let's just move on."
Lipnicki ("Stuart Little," "Jerry Maguire") plays Tony, a kid from California who has just moved into a small, renovated Scottish castle with his completely vanilla mother (Pamela Gidley) and father (Tommy Hinkley), a golf course designer hired to build new links for a local lord (Wood).
Continue reading: The Little Vampire Review
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