Hunt is April Epner, a 39-year-old schoolteacher, married to Ben (Matthew Broderick), the puffy, neighborhood schlub. April is childless and longs for "a baby that is really hers." Being an adopted daughter in a close-knit Jewish family (she envies Ben Shenkman's Freddy, the biological family brother), she wants the biological connection of a birth child. As the film begins, her mother Trudy (Lynn Cohen) is in the hospital, her father has died, and April's comfortable world is about to explode. Things go awry from the get-go when April, obsessed with getting pregnant, greets Ben at home with a nightie under her coat, eager for a surprise tumble. But Ben tops her by announcing his decision to leave their months old marriage. Things continue falling apart -- April juggling the death of Trudy, having an affair with the embittered, divorced Frank (Colin Firth), and -- to top it all off -- the sudden appearance of April's biological mother, Bernice Graves, a brassy, unpretentious loudmouth and local talk-show hostess, played by Bette Midler (who else?).
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In the present day, our heroine (the dour Catherine McCormack) asks her brother (Josh Lucas) to sail her to an island off the coast of New Hampshire in order to take pictures of the site of an ancient murder for some photography assignment. Already dubious (I've seen few magazine spreads that feature only grass and rocks), the story gets iffier when her "famous poet" husband (Sean Penn) and bro's girlfriend (Elizabeth Hurley) tag along on the trip.
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