Aja's unique horror-comedy marks yet another new tone for Daniel Radcliffe.
As Daniel Radcliffe continues to experiment with movie genres, he has frequently mentioned that he is happiest about his role in the new thriller 'Horns', directed by maverick filmmaker Alexandre Aja. The 36-year-old writer-director has been playing with the horror genre since his 1999 feature debut 'Furia', a post-apocalyptic romp starring a little-known Marion Cotillard.
Daniel Radcliffe and Juno Temple are star-crossed lovers in 'Horns'
After the vicious 'High Tension' (2003) and a pair of remakes ('The Hills Have Eyes' and 'Mirrors'), Aja took a sharp left turn into comedy with the hit 'Piranha 3D'. And now he's combined humour with terror for 'Horns', in which Daniel Radcliffe plays a hapless guy who is suspected of killing his girlfriend (Juno Temple), but discovers that the horns growing out of his head might help him find the real murderer.
Continue reading: Alexandre Aja's Horns Sends Daniel Radcliffe In A New Direction
With his most stylish film yet, horror specialist Alexandre Aja takes a wildly irreverent approach, packing the screen with rude humour, visual flourishes and spiky characters. But it's assembled in such a rapid-fire way that it's difficult to get a handle on anything, which makes the movie feel like a series of outrageous set-pieces without a coherent plot to hold them together. The likeable actors help bring their characters to life, but the film is too hyperactive to let us engage with any of them.
It's set in a small town near Seattle, where Ig (Daniel Radcliffe) is in shock after his childhood sweetheart Merrin (Juno Temple) was violently murdered. Then he becomes the prime suspect, and the media have a field day. So he hires his lifelong pal Lee (Max Minghella) as his lawyer, partly because he's the only person in town who believes he's innocent. This includes Ig's parents (James Remar and Kathleen Quinlan) and brother (Joe Anderson). As the situation continues to deteriorate, Ig suddenly discovers that horns are growing on his head and no one seems very shocked by this. They also seem unable to lie in his presence, so he decides to use this to find out who really killed Merrin. Along the way he gets a shocking glimpse into what everyone in town really thinks about each other.
The film is an assault on the senses, as Aja packs every moment with outrageous sights and sounds, encouraging the actors to sometimes drift over the line into broad slapstick. He also fills the screen with religious imagery, including churches, crosses, pitchforks and snakes, all hinting that Ig's transformation is connected with his loss of faith. Or maybe it's just part of the film's jokey attitude. But as pieces of the central mystery slowly fall into place, the movie seems to become looser and less coherent. Even when the real villain is identified, there's still at least half an hour of flashbacks and revelations, confrontations and conclusions, none of which are particularly surprising or satisfying.
Continue reading: Horns Review
Following the mysterious death of his girlfriend, Merrin Williams (Juno Temple), Ig Perrish (Daniel Redcliffe) wakes up from with a hangover and no recollection of the night before. When horns begin to steadily grow out of his head, and the local people begin to believe that Perrish is guilty of raping and murdering Williams, Perrish decides that the time has come to find his girlfriend's killer, once and for all - so that she may finally rest in peace, and he can save both his name and his soul from eternal damnation.
Continue: Horns - Alternative Trailer
Following the vicious rape and murder of his girlfriend Merrin Williams, Ig Perrish goes on a grief-ridden binge and awakens the next morning with the mother of all hangovers. He also discovers two horn like growths pushing through his temples which appear to be growing larger. He visits a friend and shows her his new appendages, but to his surprise she seems untroubled by the unusual deformity - as do the reporters that Ig is struggling to shake off since being acquitted of Merrin's murder. More unusual still, he also finds that everyone is sharing their darkest secrets and desires with him, including his doctor who is also unfazed by his appearance. As he becomes used to the horns, Ig also discovers he has another ability - he has the power to control the actions of nearly everyone he comes into contact with.
Continue: Horns - International Trailer
Ig Perrish wakes up after a particularly drunken night with a very sore head - though, as it turns out, this is no ordinary hangover. He finds that he is somehow growing horns from his tempes, following the brutal murder of his girlfriend. Having been the prime suspect in the case, the media are swamping him everyday since he was absolved, and it seems no-one actually believes he was really innocent. Checking out his new growths, he visits one of the few friends he still has but is amazed to see that she neither looks surprised or troubled by them. As the day goes on, he visits a doctor, but soon discovers that everyone appears to be being painfully honest with him about their private thoughts - and not only that, but he seems to have to power to control their actions too.
Continue: Horns Trailer
Daniel Radcliffe hit Comic-Con International on Friday, to promote his latest movie 'Horns'.
Daniel Radcliffe was the star attraction at Comic-Con International 2014 on Friday (July 25, 2014), touting his new dramedy 'Horns' - an adaption of the Joe Hill novel by the supremely talented Alexandre Aja.
Radcliffe, who turned 25 this week, plays Ig - a man falsely accused of killing his girlfriend who then begins growing a set of horns that have a mysterious dishibiting effect on those around him.
Continue reading: Daniel Radcliffe Touts 'Horns' at Comic-Con 2014
Aside from being an exercise in point-of-view cinema, it's not clear why French filmmaker Khalfoun (P2) bothered to remake the notorious 1980 slasher horror. This version certainly doesn't include any of the subtext that made 80s horror so intriguing. Instead, it strings together a thin plotline as an excuse for extremely grisly violence and whizzy camerawork. That's enough to hold our interest, but it never gets under the skin.
It's set on the side-streets of Los Angeles, where Frank (Wood) lives in the family mannequin shop haunted by memories of his trashy mother (Olivo). A true psychopath, Frank prowls the streets at night attacking women and scalping them to create a sinister mannequin tableau back home. When he meets the French photographer Anna (Arnezeder), he decides to try and live a normal life. She is intrigued by his shop, and wants the mannequins for her gallery exhibition. But how long will it be before Frank snaps?
Filmed completely through Frank's eyes, we only get glimpses of Wood in mirrors and in a couple of eerie out-of-body shots along the way. But Khalfoun stirs in fantasy sequences, memories and delusions as well, trying to get us into the mind of this mild-mannered killer. Much of this is bravura filmmaking, with long takes and complicated camera angles combining with above-average make-up effects. With all of the brutality aimed at women, the film definitely recaptures the misogynistic tone of those 1980s video-nasties.
Continue reading: Maniac Review
THE HILLS HAVE EYES director ALEXANDRE AJA is to remake another cult horror film - PIRANAH. The French filmmaker remade Wes Craven's The Hills Have...