Alexandra Milchan

Alexandra Milchan

Alexandra Milchan Quick Links

News Film RSS

Leonardo DiCaprio To Star In 'The Crowded Room' As Man With 24 Personalities


Leonardo Dicaprio Alexandra Milchan

Leonardo Dicaprio could be facing his most challenging role yet. The 40-year-old actor is set to play Billy Milligan in The Crowded Room. DiCaprio will have to play 24 separate characters as Milligan suffered from multiple personality disorder. The project has been long in the making as DiCaprio first expressed his interest in playing the role in 1997 but the film was shelved for more than a decade. Now, with DiCaprio's production company Appian Way and New Regency, the project has been revived.

Leonardo DiCaprio
Leonardo DiCaprio will star and produce The Crowded Room.

Read More: Leonardo Dicaprio Stars In Alejandro González Inarritu's Follow Up To Birdman [Photos].

Continue reading: Leonardo DiCaprio To Star In 'The Crowded Room' As Man With 24 Personalities

Paranoia Review


OK

With a strong cast and striking production values, this thriller is sleek enough to hold our interest even if corporate espionage isn't a very exciting topic for the movies. As the title suggests, the film is trying to tap into the fear that our lives are being controlled by technology. But the script never goes anywhere with this idea, instead drifting through the usual plot involving shady bad guys, dark conspiracies and plucky heroics. All of which we've seen far too many times before.

It centres on young technical genius Adam (Hemsworth), who needs cash to pay the medical bills for his ill father (Dreyfuss). Working with his pal Kevin (Till), he goes for a big promotion but is instead sacked by his boss Wyatt (Oldman). The next morning, Wyatt makes Adam an offer he can't refuse: a chance to earn a fortune by spying on chief competitor Goddard (Ford). But this new undercover job brings all kinds of worries as Adam sees shadowy nastiness lurking around every corner. He's also suspicious that a recent one-night stand, Emma (Heard), works for Goddard. And that there's a strange man (Holloway) following his every move.

Rather than explore corrupt corporate culture or the idea that technology has eroded our privacy, the filmmakers create a fairly pedestrian thriller that tries to blind us with fake techno-speak and corny emotions. The plot continually hints that it will get darker and more momentous, but it never does. All of the stakes feel oddly small, the chain of events doesn't quite hang together and the characters never feel like more than rough outlines.

Continue reading: Paranoia Review

Righteous Kill Review


Very Good
Robert De Niro and Al Pacino -- has there ever been a better acting team? For the first time since 1995's Heat, the two have leading roles in the same film, and their presence has allowed Righteous Kill to build a substantial amount of buzz. While the movie doesn't live up to the anticipation, it does pack a decent punch, thanks entirely to the leading men.

When hard-boiled rapists, pedophiles, murders, and drug lords slip through the legal system, are people who take the law into their own hands criminals or heroes? Righteous Kill explores the familiar subject of vigilante killers with a slight twist. This time, the killer is a cop.

Continue reading: Righteous Kill Review

Mirrors Review


Weak
Writer-director Alexandre Aja, along with his co-writer Gregory Levasseur, had been cruising along, showing promise within the horror genre, until (cue overwrought score) the mirrors got hold of him. Their film Mirrors is another remake of an Asian horror movie imbuing everyday objects with ghostly menace. In this case, the objects are, yes, mirrors -- specifically (but not limited to) the mirrors in a run-down New York department store. Of course, jump-scares involving sudden appearances in mirrors have been a cheap horror tactic for years, so this is a little like making a horror movie about murderous loud noises.

Ben (Kiefer Sutherland) is a newly-hired night security guard at that department store, and during his patrols he's been seeing disturbing stuff in the mirrors -- charred bodies, horrible wounds, people screaming for help. This seems like an excellent time to slack a bit at work and hang back in his security trailer, but Ben persists with an investigation.

Continue reading: Mirrors Review

Street Kings Review


Good
Cops countermanding the law, using the close-knit nature of their badge to secretly settle scores on the street, have long since become a cinematic cliché. The police have gone from donut-munching jokes to felons in blue and black finery. From the decent beat officer taking bribes to buffer his paycheck, to the undercover operative in so deep he no longer remembers what side of society he's on, "to protect and serve" has been modified -- at least in the movies -- to "pervert and steal." Street Kings, the latest motion picture inspired by a story from James Ellroy (L.A. Confidential), dabbles freely in this kind of corrupt no man's land, and for the most part, it's a thrilling journey.

Alcoholic police detective Todd Ludlow (Keanu Reeves) has just finished wrapping up a notorious kidnapping case when Captain Jack Wander (Forest Whittaker) gives him the bad news. His ex-partner Terrence Washington (Terry Crews) is talking to Internal Affairs, and bureau head Captain James Biggs (Hugh Laurie) is looking to take Ludlow down. Before he can intimidate his former friend into not snitching, a pair of gang bangers kill him. Desperate to clear his own name in the death, Ludlow begins to investigate. Soon, he's linking the crime to a couple of local drug dealers who seem incapable of committing the hit. With Wander on his side and Biggs on his back, it will take all the street savvy he has to solve the case -- that is, if someone doesn't try and permanently stop him too.

Continue reading: Street Kings Review

Goodbye Lover Review


Good
Patricia Arquette plays a Sound of Music-obsessed, Martha Stewart wannabe, psychotic killer in this slightly clever but ultimately not-clever-enough comedy/film noir. While Arquette is delish, the story ultimately lacks much compelling material that isn't lifted from Double Indemnity or one of its contemporaries. Okay for a Sunday night, but hardly great filmmaking, especially from Roland Joffé, who's done better.
Alexandra Milchan

Alexandra Milchan Quick Links

News Film RSS
Advertisement

Occupation

Filmmaker


Jason Statham Loves The Mechanic's Complicated Action

Jason Statham Loves The Mechanic's Complicated Action

Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.

Advertisement
John Krasinski Used His Experience To Make The Hollars

John Krasinski Used His Experience To Make The Hollars

In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...

Advertisement

Alexandra Milchan Movies

Paranoia Movie Review

Paranoia Movie Review

With a strong cast and striking production values, this thriller is sleek enough to hold...

Righteous Kill Movie Review

Righteous Kill Movie Review

Robert De Niro and Al Pacino -- has there ever been a better acting team?...

Advertisement
Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.