Alexandra Holden

After playing comical sidekicks in rom-coms like No Strings Attached and What Happens in Vegas, Lake Bell emerges as a rising-star filmmaker with the smartest, funniest comedy of the year. Winner of the screenwriting award at Sundance, this script is painfully hilarious, drawing on the characters' personalities to take us into a previously unseen side of the movie industry. It's also a rare Hollywood movie that refuses to shy away from anything.

We're talking about voiceover artists here, specifically those who provide the rumbling commentary for movie trailers. The late Don LaFountaine was the voice behind all of those iconic "In a world..." trailers, and now a studio wants to revive them for a new epic quadrilogy. The top contender for the job is Sam (Melamed), a veteran who decides to let his protege, the egotistical womaniser Gustav (Marino), have the job. Then Sam's voice-coach daughter Carol (Bell) throws her hat in the ring, which is unthinkable because a woman has never narrated this kind of trailer. She prepares for the audition with the help of a love-struck sound engineer (Martin), but is distracted by issues between her sister and brother-in-law (Watkins and Corddry) and the fact that her dad's new girlfriend (Holden) is younger than she is.

Bell juggles all of these plot strands brilliantly as a writer, director and actor, generously giving her costars the most riotously funny dialog while Carol pings around between them. And since we see everything through her eyes, she emerges as a hugely engaging woman who is smart, skilled and also likeably flawed. Every performance is natural and amusing, with the kind of astutely witty dialog actors can really sink their teeth into. And there are some uproarious cameos along the way, including Offerman as a wry colleague, Davis as a studio head, Longoria as a vocal client and Diaz as the star of a Hunger Games-style saga.

Continue reading: In A World... Review

After their wedding, Molly and Tim (Lodge and Lewis) move into her creaky old family home. Her parents have died in a car crash, and Molly is clearly still unnerved, hearing loud noises in the basement and having bizarre dreams.

Combined with Tim being away for work, this strains their young marriage.

Continue reading: Lovely Molly Review

Never mind all that, this is a journey of self-discovery, as Martin has some demons he's obviously trying to exorcise. He's got a granddaughter to atone with, a wife who's a bit distant, and a dead daughter, of course. By the end we've got a whopper of a secret in store, but still it's a little hard to swallow this Twenty Bucks-style road trip.

Continue reading: American Gun (2002) Review

Made by ABC Family, this is romantic comedy with a bare minimum of either. Appleby, we learn, developed an unhealthy interest in art at an early age and drew herself her dream boyfriend, a geeky dude that looks like Screech from Saved By the Bell. When a real suitor comes along (after an appropriate amount of the usual they-hate-each-other-at-first antics), our darling bookstore employee and art student must decide between a real live boyfriend or her imaginary friend.

Continue reading: Everything You Want Review

Screenwriter Neena Beber draws inspiration from two separate Sarah Dessen novels, but can't squeeze one decent movie out of the material. In only her second starring role, Moore plays Halley Martin, a disillusioned high schooler learning how to deal with a lifetime's worth of problems. Halley's divorced dad (Peter Gallagher) has a new fiancée, while her mom (Allison Janney) is still coping with the split. Her best friend, Scarlett (Alexandra Holden), is pregnant, and her older sister's pending nuptials appear doomed from the start. Out of the blue, Halley is falling for a detached hunk (Trent Ford) who might be able to convince her that true love exists.

Continue reading: How To Deal Review

Never mind all that, this is a journey of self-discovery, as Martin has some demons he's obviously trying to exorcise. He's got a granddaughter to atone with, a wife who's a bit distant, and a dead daughter, of course. By the end we've got a whopper of a secret in store, but still it's a little hard to swallow this Twenty Bucks-style road trip.

Continue reading: American Gun Review

I'm willing to accept that. The teenybopper genre is meant to appeal to a younger, less cynical audience. However, it's painful to think that a high school crowd might actually flock to this irresponsible goofball comedy about the ditzy blonde captain of the cheerleader quad, Diane (Marley Shelton), who marries the star quarterback (James Marsden, X-Men) and is pregnant with his baby. Perhaps I'm underestimating teen standards. I sure hope so.

Continue reading: Sugar & Spice Review

Having seen her parents divorced, her pouty perfectionist sister engaged to a bland country-club preppie and her knocked-up best friend suffer a terrible romantic tragedy, Halley Martin is one high school girl very wary of love.

As played by pop- princess- cum- promising- actress Mandy Moore, she's also a credible Everyteen with a good head on her shoulders, which is what makes her determination to guard her heart a sound basis for "How to Deal," a fluffy slice-of-teen-life drama that strives to raise the bar a little for its often eye-rolling genre.

Adapted from the youth novels "Someone Like You" and "That Summer" by Sarah Dessen, the film is an admirable step up from the superficial, soundtrack-driven tripe usually targeted to the MTV demographic, and Moore's appealing, unaffected authenticity buttresses the story in its weaker passages.

Continue reading: How To Deal Review