When Jackie Chan was in his low-budget, Hong Kong action-comedy prime, it was easy to forgive his better movies for simplistic plots and mediocre (sometimes downright bad) acting because enjoying them came down to two things: Chan's comedic charm and the dangerous, awe-inspiring, ingeniously choreographed fights and stunts that he always performed himself.
When Chan started making $60- to $100- million Hollywood films, it was reasonable to begin expecting more, but the star just hasn't lived up to those higher expectations except when sharing the load with ad-libbing, scene-stealing Owen Wilson in the buddy pictures "Shanghai Noon" and "Shanghai Knights."
But "The Medallion," which is a Hong Kong production made with Hollywood money, feels like the return of good ol' cheesy, charismatic, pardonably haphazard Jackie Chan -- even if the daredevil actor has finally begun accepting the inevitable ravages of age and injury.
Continue reading: The Medallion Review
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