Perseus (Worthington) is a demigod who has been raised by humans and now finds himself at the centre of a war between man and the gods Zeus (Neeson), Hades (Fiennes) and Poseidon (a blink-and-you'll-miss-him Danny Huston). Accompanied by a handful of plucky warriors from Argos (including Mikkelsen, Cunningham, Hoult and Matheson) and his spirit-guide Io (Arterton), he heads off to find the secret to defeat Hades' feared Kraken so he can save Princess Andromeda (Davalos).
Continue reading: Clash Of The Titans Review
Willing to help as many fellow exiles as possible, Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell) formed what eventually came to be known as the Otriad, a mobile community that grew to encompass 1,200 Jewish refugees. The Otriad provided food, shelter, safety, and a moderate sense of stability. There were rules and guidelines, which bred harmony and conflict. Relationships were forged, as male and female widows took on "forest" husbands and wives. The toughest challenge -- beyond basic survival --seemed to be maintaining civility in this makeshift civilization.
Continue reading: Defiance Review
Bradley (Greg Kinnear) is an affable, eternally optimistic schlimazel who runs Jitters, a tiny coffee shop in an Oregon college town, a guy that burbles out statements like, "I think love is everything; the only meaning we have to this crazy dream." Bradley is so likeable and easygoing that he is ripe to be trampled upon by the love beast and he is. Twice. First, his wife Kathryn (Selma Blair) leaves him for another woman. He then falls head over heels in love with cool-drink-of-water real-estate agent Diana (Radha Mitchell), who ends up marrying Bradley, despite her continuing to engage in carnal relations with David (Billy Burke). Bradley relates his stretch of news from the lovelorn to his friend Harry (Morgan Freeman), Harry calmly telling Bradley, "At least this time it's with a guy."
Continue reading: Feast Of Love Review
Writer-director David Twohy creates an uncommonly vivid and comprehensive science-fiction universe in "The Chronicles of Riddick," complete with genuinely otherworldly planets and detailed cultural mythologies. But he spends so much time and energy on such minutiae that the film fails to live up to the promise of it all. His manifold details serve a standard action-star-against-an-army plot with substandard catch-phrase dialogue.
The title character and reluctant hero -- a ruthlessly efficient, prison-buffed mass-murderer with night-vision eyes played by thunder-voiced, chrome-domed Vin Diesel -- was first seen in Twohy's "Pitch Black," a seat-gripping, even more vivid and otherworldly alien-swarm horror flick from 2000 that helped launch the actor's tough-guy career.
Riddick saved a few crash-landed space-transport passengers from being eaten alive by spectacular CGI monsters in that movie, but when "Chronicles" picks up five years later, bounty hunters are still hot on the trail of the coldblooded escapee. The biggest reward isn't being offered for his capture, however. One of the "Pitch Black's" survivors (Keith David) is seeking Riddick's vicious muscle to help save his homeworld from an unstoppable evil.
Continue reading: The Chronicles Of Riddick Review
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