Director Antoine Fuqua (Training Day, Olympus Has Fallen) talks about what makes The Equalizer (Denzel Washington) different from other action movie heroes. The name comes from how he spends his days as a "regular Joe", but uses hand-to-hand combat in order to fight his way through legions of bad guys "levelling the playing field". Producer Todd Black (A Knight's Tale, The Pursuit of Happiness) goes on to explain The Equalizer's skill set. He uses impeccable awareness of his surroundings to manipulate his environment into a weapon - this leads to stunt coordinator Keith Woulard discussing Washington's desire to make the fight scenes "dirty and gritty, but he want[ed] it smart".
Continue: The Equalizer - Featurette and Clip
Robert McCall has a modest job at a hardware store in Boston where he longs for a peaceful life on his own to live out the rest of his days. He is a retired black ops commando and, unfortunately for him, that part of his life is not over - merely laying dormant. After meeting a young girl named Teri and seeing her trapped in a circle of abuse and danger within what appears to be a gang of pimps, he vows to help her. However, after taking them down with an extraordinary amount of grace and dexterity, he discovers that they are in fact part of the powerful Russian mafia who are hellbent on killing him. The odds aren't looking good for McCall, whose sense of justice and responsibility has been quickly reignited, but when it really comes down to it, it's difficult to tell who should be afraid of whom.
Continue: The Equalizer Trailer
A group of three best friends from a New Jersey suburbia set up a rock band in 1964 after seeing The Rolling Stones perform on television and enlist one boy, played by John Magaro, as the lead vocalist. He changes his look and defies his father who is unimpressed with his son's big ambitions; especially when he expresses a desire to move away to where rock music is the main scene. When the band receive a contract to play seven nights a week for six months, things start to take a chaotic turn when he starts getting involved with a girl, fighting with his band mates and struggling to maintain a relationship with his father.
'Not Fade Away' is named after a Buddy Holly song that The Rolling Stones covered in the same year the movie is set. It is a story about living in the moment; not worrying about the future and forgetting about the past, taking every positive opportunity available. It has been written and directed by the genius behind New Jersey mob series 'The Sopranos', David Chase, in his feature film directorial debut. This emotionally charged drama flick is set for release this winter on December 21st 2012.
Starring: John Magaro, Jack Huston, Will Brill, Bella Heathcote, Brad Garrett, Christopher McDonald, James Gandolfini, Isiah Whitlock Jr., Molly Price, Julia Garner, Lisa Lampanelli, Alex Veadov & Justine Lupe.
Long-time friends and colleagues Rorke and Dave assemble their team of experts to rescue an undercover agent (Sanchez) who's been kidnapped by a Central American gang. After decimating the baddies and rescuing the hostage, it becomes clear that the gang is linked to a vicious Chechen terrorist (Cottle) who's working with a notorious arms dealer Christo (Veadov) to attack America in a way that makes "9/11 seem like a walk in the park". While the clock ticks, the Seals travel the world and deploy all kinds of whizzy military gadgetry to stop the nefarious plan.
Continue reading: Act Of Valour Review
Meanwhile, the movie forces me to reconsider my own, because it spends a lot more time seeming like a good movie than actually being one. For a film with such an ominous, encompassing title, We Own the Night is content to skim the surface of the NYPD, lacking the obsessive attention to detail that distinguishes other crime-heavy glimpses into bygone American eras as diverse as Gangs of New York, Zodiac, or The Assassination of the Jesse James by the Coward Robert Ford. Even Night's period details feel half-assed and incidental, like background songs that sound more like bits of '90s soundtracks to '80s-set movies instead of 1988 itself. In fact, though an early subtitle says so, the year doesn't even seem to be 1988 in particular but a vague, amorphous "eighties," Wedding Singer style.
Continue reading: We Own The Night Review
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