Vera Drake is no exception to this practice. Set in working-class London in the 1950s, it explores the path of a middle-aged woman who performs illegal abortions to young women in need. Vera (Imelda Staunton) is one of those truly kind-hearted souls who constantly helps out anyone and everyone around her. It's hard to imagine that someone that positive and giving may exist, but her charm and energetic encouragement easily win you over as genuine. She, her husband Stan (Phil Davis), and their two adult children share a cramped but warm apartment together.
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Bustling around drizzly, post-WWII London with a happy, doughy face and gleaming eyes, Vera (Imelda Staunton) works as a floor-scrubber for the wealthy, humming to herself and calling everyone "dear."
She lives in a graying flat with her auto mechanic husband (Phil Davis) and her grown son (Daniel Mays) and daughter (Alex Kelly). When she subtly plays matchmaker for her shy, homely daughter by inviting a poor, reserved bachelor and war veteran (Eddie Marsan) over for some real food, their awkward walk together in a park is one of this movie's oddest delights.
For Vera, no problem is ever so great that a nice cup of tea can't solve it; she often visits ailing neighbors and occasionally helps expectant girls by performing homespun abortions. When one of these patients almost dies, Vera is arrested and tried for her "crime."
Continue reading: VERA DRAKE Review
Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.