The late '90s should be cinematically remembered as the years of the new wave drug movie. In the late '80s and the early '90s, the drug movie was nothing more than a simple comic device... there was no meaning behind the cloud of pot smoke produced by Cheech and Chong. Then, starting in 1996 with the British smash Trainspotting, the drug movie suddenly took on a dual persona of both cautionary tale and comedy of errors. Since Trainspotting, two truly exemplary drug movies have come along... one American and one Scottish. The American is the bizarre Gen-X foray into the surreal, Go. The Scottish is The Acid House.
Although only one part of The Acid House directly deals with LSD, the majority of the movie feels as if it were written and directed the drug. Much like Go gave an accurate portrayal of X, The Acid House gives an accurate portrayal of the Super Mario... um... or so I heard.
Continue reading: The Acid House Review