People are becoming more and more aware of the potential of AI uprising, so 'Ex Machina' may be just a little more than simple science fiction.
'Ex Machina' is the directing debut of writer Alex Garland, who burst onto the cinematic scene in 2000 with Danny Boyle's adaptation of his novel 'The Beach'. Since then, he has explored sci-fi themes in screenplays for '28 Days Later', 'Sunshine', 'Never Let Me Go' and 'Dredd'. But 'Ex Machina' is a completely new approach for him.
'Ex_Machina' comes from writer/director Alex Garland
The film is set, he says, "10 minutes into the future", exploring technology that is possible but doesn't quite exist yet. With just three characters, it's a contained exploration of artificial intelligence, a subtle story that features one of Garland's trademark genre twists, but never boils over into his usual riotous mayhem.
Continue reading: Alex Garland's 'Ex_Machina' Touches A Real Nerve
Slick and seductive, this exploration of artificial intelligence may essentially only have three characters, but it's complex, provocative and thoroughly engaging. After writing screenplays for films like 28 Days Later and Never Let Me Go, Alex Garland moves easily into the director's role, telling a superbly atmospheric story that twists and turns in subtle ways to both draw us in and freak us out. And the cast adds even more depth to the interaction.
Caleb (Domhnall Gleeson) is one of the smartest geeks at a technology mega-corporation, and he's thrilled when he wins a competition to spend two weeks with company founder Nathan (Oscar Isaac) at his vast isolated estate somewhere in the far reaches of what looks like Scandinavia. Once there, Nathan assigns Caleb to evaluate his latest invention, a robot named Ava (Alicia Vikander), and see if she passes the Turing Test: does Caleb remember that he's interacting with a computer? As Ava and Caleb check each other out, the heavy-drinking Nathan watches perhaps a bit too closely. Caleb begins to realise that he's never out of view, and Ava warns him not to trust Nathan. Then strange power cuts begin to hint that something else is going on here.
Where this goes is surprising because most of Garland's scripts and novels escalate to scenes of outrageous horror. But this story remains controlled and internalised; even when it gets violent, it remains emotionally resonant. And these three characters are fascinating (the fourth person in the house is Nathan's mute sushi chef, played by Sonoya Mizuno). Their conversations are packed with subtext, continually shifting the power while making us wonder who's really in control here. And the actors play them with earthy authenticity. Vikander has an uncanny humanity even though 80 percent of her body is a special effect. Gleeson is thoroughly likeable, easy to identify with as he falls into the rabbit hole. And Isaac is simply magnetic in the way he combines Nathan's groovy laid-back attitude with something vaguely sinister.
Continue reading: Ex Machina Review
Alex Garland and Domhnall Gleeson - Director Alex Garland & actor Domhnall Gleeson at a preview screening of their movie 'Ex Machina' at The IFI, Dublin, Ireland - 19.01.15. - Dublin, Ireland - Monday 19th January 2015
Winning first prize in a competition, Caleb (Domhnall Gleeson) is sent to meet the CEO and creator of the company he works for. Arriving at the mysterious private home of the illusive Nathan (Oscar Isaac), Caleb believes that he may have a chance to relax and get to know the man that created the company, and possibly earn a promotion at some point in the future. What he soon realises, is that Nathan has organised this event in order for Caleb to serve as a test subject, used to monitor the progress on of the greatest achievement of mankind to date - a fully functioning AI named Ava (Alicia Vikander). As Caleb realises what is going on, he steadily begins to learn about the meaning of being human, all through his interaction with what will soon be mankind's replacement.
Continue: Ex-Machina Trailer
Sometimes, a competition can reward you with more than you bargained for. When a 24-year-old coder for the world’s largest investment company wins the chance to spend a week with the companies CEO, he has no idea what is in store for him. Caleb (Domhnall Gleeson) travels into the middle of nowhere to find the retreat of CEO Nathan (Oscar Isaac), but he soon discovers that the contest has actually entered him into an insane experiment, rather than offering him a reward. Steadily, it is revealed that Nathan has actually developed the world’s first AI, and from there, the world will never be the same again.
Continue: Ex-Machina Trailer
It's the not-so-distant future, and 800 million people are crammed into the only remaining inhabitable area in North America, a mega-city that covers the East Coast. With so many people, crime is out of control, so cops and lawyers have been replaced with judges who arrest, try and execute criminals on the spot. Dredd (Urban) is a particularly efficient judge, assigned one day to take trainee Anderson (Thirlby) with him for evaluation. But they walk into a nasty gang war in a 200-storey tower block, where snarling gang boss Ma-Ma (Headey) locks them in and starts hunting them down. And while Dredd and Anderson have to be careful not to kill the block's innocent residents, Ma-ma doesn't care how many people die.
Continue reading: Dredd Review
After a medical breakthrough in the 1950s, children are genetically created to grow up to be organ donors, hugely extending the human lifespan. Although the children rarely make it to their mid-20s. One of these is Kathy (Meikle Small, then Mulligan), who grew up in a special school with her best friend Ruth (Purnell, then Knightley). Kathy has a crush on the school oddball Tommy (Rowe, then Garfield), but it's Ruth who makes her move. And this action could have repercussions if organ-harvesting deferrals for couples are granted, as rumour has it.
Continue reading: Never Let Me Go Review
Working sci-fi here with the same ease with which he handled horror in 28 Days Later, Boyle recasts the genre far from the sheen of Lucas' most recent space visions. It is gritty, dark, and thrilling. You can see the grease on the ship's walls. Much as with his zombie film, the outlandish story here greatly benefits from Boyle's grounding treatment. Set in 2057, Sunshine follows the flight of Icarus II, a massive, shielded space ship sent to revive our dying sun and prevent the extinction of earth and humanity. No light task. Captain Kaneda (Hiroyuki Sanada) leads a dedicated crew, among them physicist Capa (Cillian Murphy), pilot Cassie (Rose Byrne), biologist Corazon (Michelle Yeoh), and engineer Mace (Chris Evans). Their mission is to deliver the "payload," a mammoth nuke, into the sun, set it off, and jet. Icarus I, missing for seven years, never managed.
Continue reading: Sunshine (2007) Review
Spanish filmmaker Juan Carlos Fresnadillo structures his picture less like a conventional sequel and more like a "next chapter" in the horror saga, which might explain why this fresh, energized, and clever installment works better than it should.
Continue reading: 28 Weeks Later... Review
The recipe for 28 Days Later is quite simple: half Outbreak, half Night of the Living Dead, and maybe a dash or two of Planet of the Apes. While the ingredients are familiar, thankfully, director Danny Boyle, who also helmed the bizarre Trainspotting, contributes his own unique seasonings, turning this acidic dish into a journey through hell-on-earth; it's one of the most frightening movies of the year.
Continue reading: 28 Days Later Review