A lone man (De Bankole) is on a mysterious mission, flying into Madrid then travelling to Seville and Alicante. Along the way, he has a series of clandestine meetings with a nervous violinist (Tosar), an enigmatic blonde (Swinton), a naked seductress (de la Huerta), a British guitarist (Hurt), an edgy Mexican (Garcia Bernal), a silent driver (Abbas) and an arrogant American (Murray). But he's all business, never distracted from his assignment and quietly hearing the philosophy that seems to swirl around his every move.
Continue reading: The Limits Of Control Review
Jo (Diop) lives with her widowed train-driver dad Lionel (Descas) in a Paris flat. Also in the building are Lionel's ex Gabrielle (Dogue) and Noe (Colin), a neighbour Jo has her eye on. Together, they're a sort of family, watching out for each other even as circumstances change around them. When a friend (Toussaint) retires, Lionel becomes terrified of his own old age, which opens him up to potential romance with a local cafe owner (Ado). And besides Noe, Jo is also drawn to a cute shop clerk (Folly).
Continue reading: 35 Shots Of Rum [35 Rhums] Review
The Limits of Control, the 11th feature by the New York-born auteur Jim Jarmusch, is another work that is inarguably stamped by its director's idiosyncrasies and, like Volver, there have been several critics who have questioned if its artistic success is not so much a result of it being a Jarmusch film rather than simply a good film. It emits a dark-shade cool, as befits any Jarmusch joint, and it features several of the director's usual performers, including the Ivorian-born actor Isaach De Bankolé in the lead.
Continue reading: The Limits Of Control Review
Vincent Gallo (Buffalo '66) and Tricia Vessey (Town & Country) portray American newlyweds named Shane and June Brown, spending their honeymoon in romantic Paris. A reluctant Shane appears fearful about consummating his marriage with an eager June, causing him to seek refuge in a nearby Parisian medical clinic where he explores his unexplainably weird sexual urges. And there's also this tendency for him to want to devour his spouse during sex. Yes, as in literally eating his loving partner's flesh right down to her human bone. Hence, Shane has to resort to masturbation in order to overcome the desire to chew on his new bride as if she were a juicy pork chop. Bottom line: If Shane doesn't get the help he needs to control his bizarre behavior, he will inevitably end up killing his woman.
Continue reading: Trouble Every Day Review
Not unlike his cigar-shop patter with Harvey Keitel in "Blue in the Face," the great American filmmaker Jim Jarmusch has now released a feature length collection of café-style conversation. It consists of eleven semi-fictional segments, the first three of which were released as short films in 1986, 1989 and 1993 respectively. In each, various agents of cool meet at cafes for the title beverage and its symbiotic smokes.
The participants can be as well known as Stephen Wright, Roberto Benigni, Tom Waits, Iggy Pop, Cinque and Joie Lee, Steve Buscemi, Steve Coogan, Alfred Molina, Bill Murray, the RZA and the GZA, or, like the gorgeous Renee French, they can be unknown to everyone except Jarmusch and a small cache of insiders. No less a talent than Cate Blanchett appears opposite herself, playing both a movie star and the movie star's lesser-known cousin.
Nothing much holds the eleven segments together, other than their luscious black-and-white photography -- shot by several different cinematographers over the years -- that only emphasizes the eternal coolness of smart people sitting around and talking about nothing. Certain lines of dialogue pop up more than once, and more often than not the talkers don't really connect on either a verbal or spiritual level; most of the conversations are lively disagreements. None of the world's problems gets solved.
Continue reading: Coffee & Cigarettes Review
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