Alex Craig Mann

Alex Craig Mann

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Fear And Loathing In Las Vegas Review


Good
You might be tempted to dismiss Fear and Loathing in Las Vegas as a curiosity, an attempt to exploit the pockets of fame enjoyed by Hunter S. Thompson and director Terry Gilliam.

When I first saw the film in 1998, that's what I did.

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Festival In Cannes Review


OK

Ten years ago Robert Altman's mordant Hollywood farce "The Player" premiered at the Cannes Film Festival and became an instant sensation. In 1999, writer-director Henry Jaglom took cameras to Cannes to give a similarly sardonic treatment to the increasingly commercial atmosphere surrounding the festival itself.

The resulting picture is "Festival In Cannes," the kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati.

Borrowing visual, narrative and performance stylistic cues from Altman, Jaglom fuses together several astute and entertaining showbiz stories of wheeling and dealing, wonderment, deviousness and schmoozing on the red carpets, at the parties, in the street cafes and in the bungalows of five-star hotels.

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Alex Craig Mann

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