Alex Borstein and various other celebrities gathered on Saturday night for Entertainment Weekly's annual Comic Con party held at the Hard Rock Hotel in San Diego, California, United States - Sunday 24th July 2016
This may look like it's going to be a zany Christmas romp, but it's really a warm exploration of family connections, essentially an American take on Love Actually's multi-strand comedy-drama. At least it has an unusually strong cast and moments of hilarity scattered throughout the story. And while it's never very deep, the themes are strongly resonant.
The Cooper family is gathering for what Charlotte (Diane Keaton) hopes will be one last perfect Christmas together. She knows that her 40-year marriage to Sam (John Goodman) is on the brink, but is ignoring that to plan a massive dinner. Their son Hank (Ed Helms) is stinging from divorce and unemployment, while daughter Eleanor (Olivia Wilde) has picked up a hunky soldier (Jake Lacy) in the airport and asks him to pose as her boyfriend so her family will stop asking about her love life. Meanwhile, Charlotte's father Bucky (Alan Arkin) is trying to cheer up his favourite waitress (Amanda Seyfried), and Charlotte's sister Emma (Marisa Tomei) is delayed when a cop (Anthony Mackie) arrests her for shoplifting.
Narrated with wry joviality by Steve Martin, the interwoven stories are fairly simplistic, but each touches a raw nerve. And the above-average cast brings out the underlying themes without overplaying their scenes. Keaton and Goodman add subtle shades to the slightly undemanding central roles, while Arkin finds a couple of new textures to his usual twinkly grandad persona. Helms and Wilde strike the right balance in their intriguingly unlikeable roles, while Tomei gets the most complex character as a woman who feels like she's merely watched her life drift along. By contrast, the outsiders played by Seyfried, Lacy and Mackie are much less defined, but each actor brings just enough magnetic energy. The most wasted performer is June Squibb, as a ditzy old aunt who's little more than the requisite gross-out relative.
Continue reading: Love The Coopers (aka Christmas With The Coopers) Review
Charlotte Cooper is determined to make this Christmas the best holiday the family has ever had, given that it's the only time of year when everyone's together. But, of course, while she and husband Sam are struggling to get everything perfect, everyone is equally struggling with other areas of their lives. Daughter Eleanor has been single for a while now, and the last thing she wants to do is arrive home without a boyfriend - again! And so, she convinces a soldier she meets at the airport to accompany her to her Christmas family reunion and pretend to be her partner, to which he reluctantly agrees. Meanwhile, the other daughter, Emma, gets in trouble with the police for jewel theft, and their son Hank has his work cut out when it comes to caring for his young daughter Madison alone; especially when she starts to learn some seriously unfriendly words.
Continue: Love The Coopers Trailer
When the power goes off in their home, the Griffin clan ask dad Peter to regale them with a story (the talking dog Brian had suggested they all read). What he offers is a note for note ripoff of the original Star Wars film, with various figures from the Family Guy universe filling the roles from the 1977 blockbuster. Horny neighbor Glen Quagmire is C-3PO, deli owner Cleveland Brown in R2D2, megalomaniacal baby Stewie is evil Darth Vadar, Quahog mayor Adam West is Grand Moff Tarkin, mom Lois is Princess Leia, and son Chris is Luke Skywalker. With Peter playing Han Solo, Brian as Chewbacca, and old pervert Herbert as Obi-Wan, we get all the sci-fi operatics -- stolen plans, the daring rescue by our heroes, and the last act stand-off against the Death Star.
Continue reading: Family Guy Blue Harvest Review
Catwoman is the result of four actors without a leg to stand on, three lonely writers with an unhealthy obsession over leather and cats, and one director with a problematic penchant for photogrammetry.
Continue reading: Catwoman Review
First, take every underdog-sports-movie cliche you canthink of and liberally apply them to a little league soccer team. Next,virtually ignore the team members as characters, except to sprinkle thesoundtrack with ethnic music every time an Asian or Italian kid is on thescreen.
Then focus all your energy on their whiney, klutzy, insecure,dumb-as-a-post sitcom-dad coach, and be sure to cast a shameless ham toplay him -- like, say, WillFerrell. And just for good measure, hire a famoustough-guy coach from an entirely different sport in a major supportingrole, but first make sure he's an embarrassingly bad actor -- former ChicagoBears honcho Mike Ditka will do nicely.
Fold these ingredients into a script driven by gimmicks(when Wimpy Dad drinks too much coffee, he turns into a raging jerk --ahh, ha, ha, ha, ha!) and bake for 87 minutes which feel more like two-and-a-halfhours. Serve with stale popcorn.
Continue reading: Kicking & Screaming Review
One of the hassles of a four-star rating system for movie reviews is that at first glance it can appear to put an enjoyably bad movie on equal footing with a really good one -- case in point, this week's two big studio releases.
Inventive, original and packed with uncommonly intelligent action, "The Bourne Supremacy" is an example of a great three-star movie -- one that I toyed with giving another half-star, but while it's on the "great" end of "good," it didn't quite cross the threshold into "extraordinary." (I hope that makes some kind of sense.)
But "Catwoman" is a whole different kind of three-star movie -- one so blundering, so badly written, so ripped to shreds by the actors chewing the scenery, so pretentiously self-serious, and yet seemingly aware of its own off-the-charts camp value -- that it is wildly entertaining, but for all the wrong reasons.
Continue reading: Catwoman Review
The film will be the first in the Marvel Cinematic Universe led by a person of colour.
The actor plays the titular hero in the forthcoming adaptation.
Rock legend Eric Clapton has admitted the era of the guitar may be ''over''.
Following his success with 'The Force Awakens', the director will close out the trilogy.
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