Alessandro Camon

Alessandro Camon

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Screenwriter and Alessandro Camon - Bullet to the Head Premiere New York City New York United States Tuesday 29th January 2013

Screenwriter and Alessandro Camon

The Messenger Review


Excellent
Another dark, gloomy drama about home life during wartime, this film features some seriously great performances and a theme that will resonate powerfully with thoughtful audiences.

Will (Foster) is just out of military hospital after being injured while serving in Iraq; his relationship with his girlfriend (Malone) is strained, and he's not happy about his new assignment informing families about the deaths of loved ones in the warzone. His mentor for the job is the jaded Tony (Harrelson), who survives by maintaining his distance from the families: "Don't touch the NOK" (next of kin), he tells Will. But Will can't help but reach out to them, and one widow (Morton) makes a particularly strong impression on him.

Continue reading: The Messenger Review

Never Die Alone Review


Terrible
A movie is bad when you feel sorry for the actors onscreen. A movie is absolutely terrible when one of the actors you empathize with is David Arquette. Welcome to the atrocity that is Never Die Alone, an updated version of Donald Goines' book and the early front-runner to sweep 2004's Golden Raspberries.

Describing the plot for Never Die Alone is like eating tomato soup with a fork: It can be done, but Lord knows how. (The reason why a little later.) Rapper DMX, who also produced, plays King David, a drug dealer who returns to the East Coast hoping to make amends with his former boss, Moon (Clifton Powell). During a payoff involving two of Moon's thugs and King David, all hell breaks loose.

Continue reading: Never Die Alone Review

Alessandro Camon

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Alessandro Camon Movies

The Messenger Movie Review

The Messenger Movie Review

Another dark, gloomy drama about home life during wartime, this film features some seriously great...

Never Die Alone Movie Review

Never Die Alone Movie Review

A movie is bad when you feel sorry for the actors onscreen. A movie is...

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