In a fit of Altman-envy, auteur filmmaker John Sayles has delivered a picture that has a situation instead of a plot and brought together a bevy of top actresses to act it out within a seemingly loose framework. But the lack of a plot doesn't mean it doesn't have a structure, and the one here is engineered to convey the range of needs and problems connected with first-world women adopting third-world babies.

Six women from the U.S. with different life experiences and unique values are brought together in their quests to adopt a baby in an unstated South American country (though shot in and around Acapulco, Mexico). The problem they all face is the bureaucracy that's in charge of the process -- one that feels uncomfortably arbitrary, subject to more whim than substance.

Continue reading: Casa De Los Babys Review