@Dean_Devlin Number 1 has my vote
Aldis Hodge, Mahershala Ali, Jim Parsons, Kimberly Quinn, Kirsten Dunst, Octavia Spencer, Lidya Jewett, Taraji P. Henson, Janelle Monae, Glenn Powel and Theodore Melfi in the press room at the 23rd Annual Screen Actors Guild Awards held at The Shrine Expo Hall - Los Angeles, California, United States - Sunday 29th January 2017
The hero from Lee Child's series of novels is back - well, the Tom Cruise version of the hero. He may be a 6-foot-5 blond muscle-man in the books, but Cruise weathered the storm with the unusually smart first movie, and now he returns for a remarkably gritty action thriller that feels like the antithesis of his Mission: Impossible movies. This is an ageing hero who gets hurt and recognises the laws of gravity.
As he roams around America helping strangers, Jack (Tom Cruise) keeps in touch with Susan (Cobie Smulders), who took his old job as commanding officer of a military police base. But just as he decides to drop in to meet her, she's arrested on trumped-up charges. And he is also promptly framed for murder and locked up. All of this happens just as he discovers that 15-year-old Samantha (Danika Yarosh) is his daughter. So Jack and Susan break out of prison and take Sam along as they try to sort out why they are suddenly on the wrong side of the law. Everything seems to trace back to a shady private contractor (Robert Knepper) who has sent a ruthless killer (Patrick Heusinger) to stop them.
In normal action blockbusters, this kind of plot would play out with massive explosions, physics-defying car chases and superhuman characters who take a hit and keep on going. But director Edward Zwick (who directed Cruise in The Last Samurai) takes a much more thoughtful, realistic approach that sometimes makes the film feel like it's moving in slow motion by comparison. Cruise is decidedly mortal in this role, needing to take a moment to recover after every punch. Since he's not invincible, Jack is far more engaging as a character, especially as he grapples with issues surrounding unexpected fatherhood. He also strikes just the right balance of flirtatious camaraderie with Smulders' Susan, never tipping over into a corny action-movie romance.
Continue reading: Jack Reacher: Never Go Back Review
After quitting the United States Army Military Police, Jack Reacher has become an independent crime investigator who looks into hard to solve cases. Having recently worked on the case of a rogue sniper we once again meet Reacher who's on a rampage for justice.
Jack Reacher makes his own laws and seeks justice for those who cannot speak. Reacher sets to work uncovering the ways of a dirty town sheriff and soon wants to meet up with his old friend, Susan Turner. Reacher turns up at Turners base to be told that she's been arrested for crimes. This is then followed by the arrest of Jack himself for a murder that happened more than a decade before. Reacher and Turner are both out on a mission to clear their names but as facts start to fall into place, it turns out that the people behind this mystery might reach far higher than ever thought.
Jack Reacher: Never Go Back is the second film in the Jack Reacher series (the first released in 2012), based on the books by Lee Childs. Never Go Back is Childs' 18th book in the series.
Even from a young age, Katherine Johnson's family and teachers knew she was made for great things. Even as a child, her mind was something special. She was gifted with an ability to work out complicated math sums far superior to anything a young child ought to be able to do.
There were a number of factors standing between Katherine and her education - most spanning from the fact that she was black and it was the 1920's. The country of Virginia where she and her family lived would not supply an education over a eighth grade to anyone of Afro-American ancestry and few family worked impossibly hard, splitting their time over two counties, to make sure their little girl could become the success they knew she would be. Their hard work paid off and Katherine became a math teacher before being poached by a new and exciting agency looking to recruit some of the most talented mathematicians of the time.
Katherine, along with two fellow mathematicians, Dorothy Vaughan and Mary Jackson, were introduced into a whole new use for maths. The ladies who worked in the department were human computers and they unravelled huge flight calculations and soon Katherine was once again headed up the ladder to work on a space mission - a mission to send a man to the moon and safely return back to earth.
Continue: Hidden Figures Trailer
This biopic gallops through the career of groundbreaking gangsta rappers N.W.A, working its way through a checklist of the major events. There isn't much of a plot otherwise, which can be bewildering for anyone who doesn't know all of the people portrayed on-screen. But the acting and filmmaking is confident, which makes the movie feel strikingly relevant.
It opens in late-1980s South Central Los Angeles, a time when rap was dismissed as a little more than a violent chant. But artist Eazy-E (Jason Mitchell) launches Ruthless Records with his manager Jerry Hiller (Paul Giamatti) as a way to promote the music he makes with his friends Ice Cube (O'Shea Jackson Jr.), Dr. Dre (Corey Hawkins), DJ Yella (Neil Brown Jr.) and MC Ren (Aldis Hodge). Working together as N.W.A, their album Straight Outta Compton strikes a nerve, selling millions even though its controversial lyrics make it impossible to play on the radio. As money starts rolling in, problems develop in the group. Cube is annoyed that Jerry isn't paying him a fair share of the royalties, so he goes solo. And later Dre also leaves to start his own label, Death Row, with hothead friend Suge Knight (R. Marcos Taylor).
The movie is structured as a series of set-pieces, usually drawing on the musician's camaraderie, which turns into rivalry, sparking tensions and some sort of verbal or musical battle, which escalates into physical violence. These are alpha-males who don't like being told what to do, so they struggle to trust each other. Their clashes begin to feel somewhat repetitive, but the actors are excellent.
Continue reading: Straight Outta Compton Review
In the 1980s, the streets of Compton were brutal. Five friends were brought together by their raw talent for translating the struggles they faced into powerful, poetic music. As the group came together, adopting the name N.W.A., their world steadily began to change around them, becoming a far darker place. And with the release of one particularly controversial song in the wake of a horrific tragedy, N.W.A. were thrown into the public eye, and became the forerunners of a revolution. But looking back, Eazy-E, Dr. Dre, Ice Cube, MC Ren and DJ Yella still saw themselves as just a group of friends, straight outta Compton.
Continue: Straight Outta Compton - Redband Trailer
TNT has announced that it will be scrapping the popular show Leverage from the air when the current series comes to an end, on Christmas Day (Dec 25).
Leverage, which revolves around a crew of skilled swindlers who use their skills to fight corporate and governmental injustices inflicted on ordinary citizens, was cancelled on Friday (Dec 21) by the network amidst failing ratings, although the news that the show would be ending was announced some time before.
Dean Devlin, executive producer of the show, explained the situation to fans in an open letter released on December 6th on the fan website www.leveragefans.com. In the letter he writes: "As of the writing of this letter, we still do not know if there will be a season six of our show. Because of this uncertainty, [series creator] John Rogers and I decided to end this season with the episode we had planned to make to end the series, way back when we shot the pilot. So the episode that will air on Christmas is, in fact, the series finale we had always envisioned."
Continue reading: TNT To Axe 'Leverage' After Christmas Special
TNT announced today that it is planning to axe the show 'Leverage' from the air after five seasons, with the show ending with a Yuletide finale on Christmas Day.
The network confirmed the news that the drama, which follows a crack squad of highly skilled operatives who fight injustice by staging elaborate scams, will end on Christmas day with the episode, The Long Goodbye Job (10 p.m. ET/PT). What a fitting end.
In a statement made public earlier today (Dec 22), TNT told the press: "Leverage has thrilled audiences with its delightfully intricate plots, its 'stand up for the little guy' attitude and its terrific performances from stars Timothy Hutton, Gina Bellman, Christian Kane, Beth Riesgraf and Aldis Hodge. But after five wonderful years, it's time to say goodbye."
Continue reading: TNT To Cancel 'Leverage' After Five Seasons On Air
Danny Green's film of the Bernard Malamud novel starts off with Henry Lesser (Dylan McDermott hidden behind decade-appropriately unfortunate facial hair and hideous eyewear), a writer of the most masochistic sort. The only resident left in a deserted, falling-down building in a seedy corner of Brooklyn, he's hacking away at his typewriter, day after day, trying to finish his third novel; the first one was well received, the second not so much. Occasionally the landlord (Seymour Cassel) comes by to bang at the door and offer him increasingly large sums of money to get out so he can sell the place, but Henry, a creature of habit, keeps begging for more time, saying he'll move after he finishes the novel.
Continue reading: The Tenants Review
@Dean_Devlin Number 1 has my vote
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This biopic gallops through the career of groundbreaking gangsta rappers N.W.A, working its way through...
In the 1980s, the streets of Compton were brutal. Five friends were brought together by...