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Rush, Randy Newman, Public Enemy, Donna Summer, Heart And Albert King Are All In The Rock And Roll Hall Of Fame


Public Enemy Rush Randy Newman Donna Summer Heart Albert King

The latest Rock And Roll Hall Of Fame inductees look, as ever, like a who's who of cultural icons. Canadian progressive-rock trio Rush make their long awaited entry, while Public Enemy - with their recent renaissance - are rewarded for their incalculable inspiration to rap music, black culture and equality, Entertainment Weekly reports. 

"We are thrilled to announce this year's class of inductees, which again represents the broad, compelling and significant definition of rock and roll," Joel Peresman, president and chief executive of the Rock and Roll Hall of Fame Foundation, said in a statement Tuesday. Elsewhere, Donna Summer, Heart and Albert King were also honoured by Rock n Roll Hall of Fame recognition. Acts that made the final ballot but did not make the cut for induction this year were the Paul Butterfield Blues Band, Chic, Deep Purple, Joan Jett & the Blackhearts, Kraftwerk, the Marvelettes, the Meters, Procol Harum and N.W.A.

Rush fans may have to backtrack somewhat, especially the ones that claimed, "The Rock and Roll Hall of Fame has no credibility until Rush is inducted". Another act who may want to play nice is Randy Newman who jokingly told The Times in 1995 that his absence from the Rock Hall's roster of inductees made it "a Hall of Shame." Now that he's in, however, Newman said, "It's a great honor. I'm very happy about it," and "I'd like to thank the people who have supported me for all these years." 

Continue reading: Rush, Randy Newman, Public Enemy, Donna Summer, Heart And Albert King Are All In The Rock And Roll Hall Of Fame

Albert King Wednesday 15th July 2009 NAACP And NBA present 'Legends and Legacy: A Salute to 100 Years of Change' New York City, USA

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Wattstax Review


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1972's Wattstax concert was, in no uncertain terms, the black Woodstock. Peace and love, for sure, but based in L.A. to commemorate the 1965 Watts race riots instead of on a New York farm to celebrate drugs, mud, and hippie tunes.

Just as Wattstax the event was a serious social event that just so happened to include a little music, Wattstax the movie is much less a concert film (a la Woodstock or The Last Waltz) and much more a talking head documentary with musical interludes. Depending on your frame of mind, that can be a good or a bad thing. But director Mel Stuart (who made Willy Wonka & the Chocolate Factory two years earlier) is probably not the perfect person to take a camera into Los Angeles to ask black residents how things have changed (or not) since the riots seven years earlier. There's frankly just not a lot of insight to be gained from the poorly shot man-on-the-street footage.

Continue reading: Wattstax Review

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