Best known for his screenplay (co-written with Frank Launder) for The Lady Vanishes, one of Hitchcock's '30s era gems, writer Sidney Gilliat also enjoyed a 30-year directing career beginning in the early '40s. Green for Danger is probably Gilliat's best known and regarded effort, and, in its lightness of touch, it feels of a piece with the aforementioned Hitchcock thriller. But, while Hitchcock never cared for whodunits, Gilliat (along with co-writer Claude Guerney) fashioned a nifty and entertaining one in Green for Danger, based on Christianna Brand's novel and using the WWII-besieged English countryside as his backdrop. The physical and psychological toll of the war informs the jaded mood of Danger's hospital staff, the interrelationships among the doctors and nurses, and even their medical ethics.
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The problem relates to the flashback, a device Hitchcock frequently used to good effect. But here, Hitch deceives us from the get-go with a big (and bold) lie. To explain further would ruin the film more than it already is.
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