Harriet Lauler knows that she is in the twilight years of her life, and has had a long time to contemplate her legacy as a successful entrepreneur after she's gone. She's not willing to leave the writing of her obituary to chance, and so enlists the help of a the obituary writer at the Bristol Gazette Anne Sherman to write it the way she wants. Anne tracks down a bunch of people from Harriet's life to get a taste of the sort of woman she was - unfortunately, no-one appears to have a single nice thing to say about her. Harriet is determined to touch someone's life in an important way before she goes and visits a youth centre to get started. It's there she meets an adorable, street-smart young girl named Brenda who she employs as her 'intern' when she decides to become a DJ at the local radio station. The more Anne gets to know this woman, however, the more she finds her own life being changed by her new friend.
Continue: The Last Word Trailer
Alanna Ubach - Photo's from the launch party for BRAVO'S first scripted series 'Girlfriends' Guide to Divorce' The party was held at the Crosby Hotel in New York City, New York, United States - Thursday 20th November 2014
Alanna Ubach and Skyler Stone - Photographs of a variety of stars as they arrived at the premiere for Bravo's first scripted series 'Girlfriends' Guide to Divorce' The premiere was held at the Theatre at the Ace Hotel DTLA in Los Angeles, California, United States - Tuesday 18th November 2014
Yet another spoof from Wayans and Alvarez, this movie isn't nearly as bad as it could have been (they also produced the resolutely unfunny Scary Movie 2 and Dance Flick). There's the germ of a clever idea here, mainly satirising the Paranormal Activity series in the context of a new relationship. But of course, they can't resist resorting to random pastiche and silly gross-out jokes instead of actually clever comedy.
Wayans plays Malcolm, a cheeky guy who is far too thrilled that his girlfriend Kisha (Atkins) is moving in with him. She's a little more reticent about it all, especially because she thinks there's a ghost creeping around the house. So Malcolm installs a security camera system, secretly hoping to videotape their sex life. As the paranormal shenanigans increase, their friends (Ubach and Daly) introduce them to a psychic (Swardson) and then a priest (Cedric). And it turns out that Kisha has a history with evil spirits.
Filmmaker Tiddes plays merrily with the found footage genre, shooting everything as if through a video camera, webcam or CCTV, while indulging in the format's voyeuristic possibilities. This gives the premise, of a couple moving in together, a smart kick. So it's very frustrating when some genuinely amusing scenes are interrupted for cheap toilet gags and only weakly comical set pieces. After setting things up, the screenwriters just get lazy and stop bothering to make scenes funny or engaging at all.
Continue reading: A Haunted House Review
When a pet chameleon (voiced by Depp) is lost in the desert, he wanders into Dirt, a parched Wild West town populated by scruffy, attitude-filled vermin. He immediately reinvents himself as the heroic Rango, and as sheriff promises to restore the missing water supply. He proves his mettle by squaring off against a vicious hawk, but the slippery tortoise Mayor (Beatty), a family of sneaky moles and a vicious rattlesnake (Nighy) will require more effort. As will his developing romance with feisty girl-lizard Bean (Fisher).
Continue reading: Rango Review
Rango is a chameleon who isn't particularly content living the life of the general chameleon, he sees himself as more of a hero figure, striving to protect those who need him; but when he finds himself in a western town called Dirt, Rango must start playing the role he's always dreamt of fulfilling, but once he's faced by bandits will he be able to keep up the charade?
Continue: Rango Trailer
The one-joke premise is this: seven friends in New York basically live their lives without ever really meeting. Instead, they talk on the phone. Dates are set, parties are planned, sex is had, even children are born -- but no one is there, in the physical sense.
Continue reading: Denise Calls Up Review
But Brady -- the movie -- does everything right, balancing faithfulness with the original film with rib-jabbing at its family-friendly kitsch. The catch: The Bradys are updated to the 1990s, but they haven't changed a bit. The plot itself -- about a plan to put a mini-mall in place of the Brady block -- is a throwaway. It's just an excuse to set us up with endless Brady antics, from Cindy's tattling to Peter's voice changing, to Johnny Bravo. If all this means something to you, the film will be nothing short of hilarious. If it's meaningless to you, just look at what you missed!
Continue reading: The Brady Bunch Movie Review
The creation instinct tends to be downplayed in relationship to the other two. Perhaps this is because of the fact that the creation instinct has very little impact upon the modern world. It really, unless you happen to be a curious person or a psychoanalyst, doesn't concern you why a writer wants to write, a painter wants to paint, etc. However, even the writers and painters often do not have much of a clue where their ideas come from. However, when one sees a movie like Clockwatchers, the question that hits your mind is "why would anyone wish to do a movie about stealing office supplies?"
Continue reading: Clockwatchers Review
After using her coincidentally convenient knowledge of hair care products to acquit a murder suspect in "Legally Blonde," one-dimensionally ditzy Harvard Law grad Elle Woods (Reese Witherspoon) has become a naively sanguine congressional aide for the insipid sequel "Legally Blonde 2: Red, White and Blonde" -- and once again her dumb luck masquerades as unsuspected smarts.
With Elle in Washington to lobby against animal testing by cosmetics companies, the plot turns on her ability to win over two bitterly conservative senators -- not with reason, facts or even charm, but simply because one of them happens to be a sorority sister (they have a secret dance instead of a secret handshake) and another has a big male Rottweiler who just happens to fall in love with Bruiser, her little male Chihuahua, during a walk in the park.
Yes, that's right -- this feebly scripted, Barbie-brained, Gucci-accessorized so-called comedy actually climbs up on a designer-pink soapbox of social consciousness to preach in platitudes about both animal rights and gay rights. Advocates in both camps should feel insulted.
Continue reading: Legally Blonde 2: Red, White & Blonde Review
Shallow SoCal sorority bimbo Elle Woods is supposed to be, like, totally smarter than she looks in "Legally Blonde," a paint-by-numbers big screen sitcom about a ditzy coed who follows her snooty, upper-crust ex to Harvard Law to prove herself worthy and win him back.
But while Elle is played with irresistibly bouncy ebullience by the wonderfully daft Reese Witherspoon ("Election," "Freeway"), the movie never provides any evidence of her supposed smarts. She just gets lucky a lot, like when her knowledge of hair care helps save an innocent murder defendant in a big case she has no business handling as an intern at a big law firm.
Such simplistic, ain't-it-wacky solutions to life's dilemmas are the driving force of this pastel colored picture that is funny from time to time, but is also weighed down with trite "have faith in yourself" messages, as if it's some kind of after school special.
Continue reading: Legally Blonde Review
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