Mireille Enos, Alan Ruck, Larkin , Vesper - Actress Mireille Enos enjoys a fun day at Larchmont Village's Family Fair with her husband "Ferris Bueller's Day off" star Alan Ruck and their 2 kids Vesper and newborn son Larkin. - Los Angeles, California, United States - Sunday 25th October 2015
Mireille Enos, Alan Ruck, Vesper Vivianne Ruck and Sam Ruck - The Killing star, Mireille Enos with husband Alan Ruck take their family Christmas shopping at The Grove in Hollywood - Los Angeles, California, United States - Sunday 21st December 2014
Mireille Enos and Alan Ruck - An array of celebrities attended the Los Angeles Premiere of 'If I Stay' directed R. J. Cutler held at the TCL Chinese Theatre - Arrivals - Los Angeles, California, United States - Wednesday 20th August 2014
Mireille Enos, who stars as Karin Lane in 'World War Z', arrives at the New York premiere for the movie alongside her husband 'Ferris Bueller's Day' actor Alan Ruck. As she posed for photographers on the red carpet, she looked picture perfect in a floor length, Bardot necked, copper and black gown. Producer Jeremy Kleiner is also spotted at the event.
If you want to make money, you go to David Koepp. Three of the 20 films he has written are on the top 25 highest-grossing American box office list and another two show up in the top 100. The man makes hits and, most of the time anyways, they are well-written and focused scripts that attempt to keep exposition to a minimum. These are the traits of a very talented screenwriter... but unfortunately they do not necessarily translate into a positive resume for a feature film director.
Ghost Town is Koepp's fourth film as a director and it is the first film to feature UK comedian Ricky Gervais in a starring role. It tells the story of a dentist named Bertram Pincus (Gervais) who wakes from a friendly colonoscopy with the ability to see and hear the dead. It is inferred that this Shyamalanian gift was caused by a seven-minute interval during his operation where he died due to a two-strikes-already anesthesiologist. Ghosts of every color and creed begin hassling the chronically-introverted Pincus for favors, the leader of which seems to be Frank (Greg Kinnear).
A tux-donning victim of a high-speed Manhattan bus, Frank promises to get the other ghosts to leave if Bertram will help him derail his widow's pending nuptials. Turns out Frank's widow, Gwen (Téa Leoni), has been snubbed by Pincus on a dozen occasions (they live in the same apartment building), and her fiancé (Billy Campbell) is a civil-rights attorney. Not the easiest assignment for Pincus. But when the dentist helps crack the autopsy of a long-dead Egyptian king that Gwen is studying, she invites him to dinner, Pincus makes her laugh, and the end is already in sight. Morals are dished out on the side when Pincus agrees to help some other ghosts settle their unfinished business and there's also some stuff about "a life lived for others" passed on by a fellow dentist (Aasif Mandvi).
Much like the recent Hamlet 2, most of the film's success rides on the comic inventiveness of its star, and in this he is given little support from his director/screenwriter. At first, Gervais seems completely up to the task, employing the cracker-dry wit that made him such a phenomenon on the BBC version of The Office, the show he created and wrote with partner Stephen Merchant. There is a bright moment of hope as he has a particularly sharp exchange with Kristen Wiig of Saturday Night Live fame, who plays his surgeon. But then he script quickly shifts into standard operating procedure and comedy is swallowed by template.
Ghost Town has a smidgen more class than most contemporary romantic comedies but it is seemingly unaware of its strengths. Gervais' interplay with Leoni has a brisk charm to it but it seems too-often rushed and stuffed with jokes about dog poop, Chinese names, and naked ghosts, all of which seem out of place and drawn out. Egregiously over-sentimentalized, the last 30 minutes of the film rush through a half-dozen major conflicts in a mad dash to build to a predictable emotional climax. It's a total con and it sells Gervais' tremendous abilities up the river. Koepp's talents at structure falter slightly here, adding a few too many storylines than he seems capable of handling. Will Ghost Town make money? Probably, but it's the kind of film that gives box-office rankings a bad name.
Continue reading: Ferris Bueller's Day Off Review
The movie begins when a deranged mad bomber, Howard Payne (Dennis Hopper), severs cables to an elevator inside a Los Angeles skyscraper. The bomber demands $3 million ransom or he'll blow the emergency cables. LA Bomb Squad members Jack (Keanu Reeves) and his partner, Harry (Jeff Daniels), must defuse the bomb before Payne blows the cables. This situation alone could provoke a feature length thriller, but it merely serves as the first act for Speed.
Continue reading: Speed Review
Generations (having dispensed with the numbering of the sequels) is a fair enough film. It's massively contrived to be sure -- the Kirk-era cast and Picard-era cast were meant to be some 80 years apart -- but considering the difficulty of trying to combine two crews in one movie, Shatner & Stewart turned in a fair enough endeavor.
Continue reading: Star Trek: Generations Review
Is anybody else getting tired of doofus dad comedies? I don't know about you, but I'm pretty sure I've seen every emasculating joke there could be about stereotypically incompetent men being left alone with their kids and bungling everything while their wives are away. But here comes "Cheaper by the Dozen" anyway.
A loose remake of a 1950 laffer about a huge turn-of-the-century family headed by a stern efficiency expert, this version spends its opening voice-over explaining how Tom and Kate Baker (Steve Martin and Bonnie Hunt) ended up with 12 kids in this age of easy contraception before it launches into a multiple helping of the same old themes of clueless parents and kiddie chaos.
Escaped pet frogs and butt-biting dogs abound even before the plot kicks in, seeing the family move from their rural Illinois homestead to the hustle and bustle of Chicago when Dad, now a college football coach (in an abandonment of the original's most essential ingredient), is offered his dream job heading the team at his Division One alma mater.
Continue reading: Cheaper By The Dozen Review
There is a gripping, sorrowful, quietly on-edge performance at the center of "Everything Put Together," in which Radha Mitchell plays a sunny young suburbanite and first-time mother thrown into the throes of psychological horror by the loss of her newborn baby to Sudden Infant Death Syndrome.
Mitchell ("High Art," "Pitch Black") is a yuppie Alice in Anguish-land, falling down a rabbit hole of despair and denial after her social support system is yanked out from under her. Ostracized by her fellow young mother gal-pals, who convince themselves they're being helpful by letting her have her space, she finds no comfort from her suddenly apprehensive husband (Justin Louis) either, and she begins to withdraw into a subconscious world of fear and fantasy that threatens to slide into true madness.
Mitchell's portrayal is powerful, but writer Catherine Lloyd Burns (who plays one of the girlfriends) and director Marc Forster (who after shooting this 2000 film went on to make "Monster's Ball" [review coming this week]) don't let her raw, tragic performance speak for itself.
Continue reading: Everything Put Together Review