But in 1958 there was another kind of France wending its way into the Old World, and in Mon Oncle ("my uncle") Hulot's young nephew lives there. Attained by crossing over a broken down fence, this French neighborhood is ultra-modern and its architecture is automated and inhumanly chic. The plot of Mon Oncle, almost in its entirety, is that the young nephew prefers his eccentric uncle's company to that of his mother, who makes a frantic practice of keeping up with the Joneses, or his father, who works (where else?) in a plastics plant. But, as with all Tati, the jokes are in the details and not in the story.
Continue reading: Mon Oncle Review
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