Expert writing, directing and acting help this offbeat drama discover some powerful new themes in a novella that has been scandalising Western society since it was first published in 1870. The book's author Leopold von Sacher-Masoch even gave us the word "masochism". But this film by Roman Polanski and playwright David Ives digs far beneath the S&M to say some startling things about the male-female divide.
It's set in a theatre on a rainy day in Paris, where the actress Vanda (Emmanuelle Seigner) arrives late in a disheveled state to audition for the play's writer-director Thomas (Mathieu Amalric). But he's had a bad day, and immediately writes Vanda off. Eventually she wears him down, and the moment she starts reading his own words he's transfixed. She not only embodies the character, but she sparks something inside him that makes him question his own work. And as he runs the lines with her, she exerts an odd power over him that shifts in ways Thomas never sees coming.
Even with just two people on a stage, this movie is utterly riveting: funny, sexy, scary, surprising, intelligent and fiercely stylish. Polanski's direction is bold and playful, building a compelling rhythm that charges through 90 minutes of sometimes too-clever dialogue that keeps our minds spinning. And both Seigner and Amalric make the most of the script, packing every moment with insinuation and wit as they play with the ideas raised by the play within the film, which is about a dominatrix and her slave.
Continue reading: Venus In Fur Review
In rural pre-War France, Pascal is a widower (Auteuil) with six daughters. The oldest is 18-year-old Patricia (Berges-Frisbey), who's starting to notice boys.
She's reluctant about a plan to fix her up with Pascal's employee Felipe (Merad), and instead flirts shamelessly with Jacques (Duvauchelle), a dashing pilot who literally sweeps her off her feet. But her secret courtship with Jacques doesn't go as planned. Then war breaks out and both men are called to battle, leaving Patricia pregnant. And Jacques' parents (Azema and Darroussin) don't want to know.
Continue reading: The Well-digger's Daughter Review
When a successful British ghost-writer (McGregor) is hired to clean up the memoirs of former Prime Minister Adam Lang (Brosnan), he can't quite believe the large paycheque heading his way. He soon relocates to an isolated island home in America to work with Lang, his wife (Williams) and assistant (Cattrall), but it quickly becomes clear that something fishy's going on here.
And maybe the scandalous news reports, about Lang's approval of torture in the War on Terror, are missing the real story.
Continue reading: The Ghost [aka The Ghost Writer] Review
Hélène's (Catherine Frot) loveless marriage to Paul (Vincent Lindon) comes to a head when, while returning home from an evening out on the town, a hysterical hooker (Rachida Brakni, in a mesmerizing debut performance) throws herself on the hood of their car while attempting to escape a trio of savage attackers. Instead of trying to save the woman, Paul instinctively locks the doors, thus allowing the men to finish dishing out their brutal beating. When the assailants are done, Paul - a paragon of twenty-first century male insensitivity - is more interested in cleaning his windshield of prostitute blood than tending to the savagely beaten girl lying next to his shiny new sedan.
Continue reading: Chaos (2001) Review
William Faber (Fabrice Luchini) inherited his office and accounting practice in a staid Parisian building from his accountant father, carrying on a family occupation. Life for him is methodical, predictable, full of numbers -- which he enjoys enough to have made a career out of crunching them for a loyal clientele. Some people thrive on consistency and repetition.
Continue reading: Intimate Strangers Review
Continue reading: Dry Cleaning Review
Focusing on three sisters who come together a few days before Christmas, their mother's second husband dies, leaving her a little befuddled for the holidays. The sisters proceed to organize a reunion of sorts with their father (mom's first husband), whereupon all manner of old history and secrets are dredged up.
Continue reading: La Bûche Review
Raised in tenement housing in late-19th century London and forced to live the suppressed life of a sweatshop laborer in a Jewish slum, Esther Kahn (Summer Phoenix) uses the theater as an escape from the harsh realities of everyday life. As a child, her brother and sisters find her awkward because of her abnormal silence and infatuation with the low-budget Yiddish performances put on by the local neighborhood troupes. As the family outcast, she internalizes all the loathing she receives from her mother (Frances Barber) and family, which leads to a desperate search for her place in the world.
Continue reading: Esther Kahn Review
Christopher Null, not overly impressed
Continue reading: Mulholland Drive Review
Let's get the story out of the way for those few who haven't heard it. Sweet, young Oliver Twist (Barney Clark) is cast out of his orphanage when he is picked to ask the cook for more porridge and is sent to work for a kind casket maker who is controlled by his wife. He escapes to London where he makes friends with a charming thief nicknamed The Artful Dodger (Harry Eden). As it happens, Dodger is part of a gang of thieving youths who work for the persuasive Fagin (Sir Ben Kingsley), a decrepit old man with too much hair and too few teeth. The storm really swells when Twist tries to go straight with a rich book collector named Mr. Brownlow (Edward Hardwicke) and gets on the bad side of a few of Fagin's friends and partners. The most nefarious of the partners is Billy Sykes (Jamie Foreman), a terribly mean thief who is followed around by an ugly dog named Bullseye. This all leads to a plot between Sykes and Fagin to kill poor little Oliver, but that proves to be pretty difficult.
Continue reading: Oliver Twist Review
The youngster hasn't been the same since his trip to the Upside Down.
The actor says he isn't "holding out for more money or doing anything like that".
The drama will be making its return to the streaming service in the near future.
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