Alain Chabat

Alain Chabat

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Mood Indigo Trailer


Colin (Romain Duris) is a rich inventor living in fantasy Paris who has focused his career on advancing his latest machine, the pianocktail; a piano that can also make cocktails for the thirsty instrumentalist. But his sights are soon turned away when he discovers that his best friend Chick is in love with a woman called Alise. Aggrieved by the thought of a life of loneliness, he decides to embark on a romantic adventure himself when he meets the quirky Chloe (Audrey Tautou) at a party. Initially a little awkward, Colin and Chloe fall dazzlingly in love. However, their happiness is soon compromised when Chloe falls deathly ill with a rare disease whereby a waterlily is growing inside her lung. Her only cure is to be surrounded by fresh flowers, but the question is, just how long can Colin keep up the treatment?

Originally entitled 'L'écume des jours', 'Mood Indigo' is a French fantasy romance based on the 1947 cult novel 'Froth on the Daydream' by Boris Vian. The movie has been directed by Academy Award winner Michel Gondry ('Eternal Sunshine of the Spotless Mind', 'The Science of Sleep') and co-written by Luc Bossi ('The Prey', 'L'empire des loups'). It won a Cesar Award at the 2014 ceremony where it was nominated for a further two awards, and it was also nominated for four prizes at the Lumiere Awards. 'Mood Indigo' is due for UK cinematic release on August 1st 2014.

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Ice Age 4: Continental Drift Trailer


Sid, Manny and Diego are doing a good job so far of surviving the Ice Age but now a new danger is threatening to finish them off - continental drift. The three heroes are now living on a small iceberg in the middle of the ocean and they are determined to find the rest of the herd, while trying to work out how it all happened. Unbeknownst to them, the cause of the problem leads back to Scrat and yet another attempt at rescuing his precious nut.

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The DC premiere of Night at the Museum: Battle of the Smithsonian

Alain Chabat - Alain Chabat and guest at the National Air and Space Museum, Washington DC, USA - The DC premiere of Night at the Museum: Battle of the Smithsonian Thursday 14th May 2009

The DC premiere of Night at the Museum: Battle of the Smithsonian

Alain Chabat Thursday 14th May 2009 The DC premiere of Night at the Museum: Battle of the Smithsonian Washington DC, USA

The Science of Sleep Review


Weak
How exactly could such as astoundingly well-crafted and adventurous vision like The Science of Sleep end up the throwaway curiosity that it is? To be sure, there's no lack of effort from writer/director Michel Gondry, ringleader of this particular reality-blurring carnival, who brings to bear all of his singular skills at drawing dreamscapes disturbingly close to the frame of our everyday lives. His well-directed cast fling themselves right into the mix, going at their roles with enthusiastic abandon. The story is a delightful fantasia about a young man (grown-up boy, really) whose dream-life flows over into his waking hours -- in which he's smitten with his friendly but romantically distant next-door neighbor -- a problem that he doesn't seem to even to consider a problem. But the film's wild images and sense of fun are fleeting at best, and start to leak away the second the credits begin to roll.

After scoring so perfectly with Eternal Sunshine of the Spotless Mind and its follow-up, Dave Chappelle's Block Party, it was maybe inevitable that Gondry was going to slip up, and this film is that slip-up. Firstly, it's hard to shake the feeling that the scraps of story that leak out around the visuals are not much more than leftover ideas from Eternal Sunshine, further notes on the fantastic. As Stephane, the neurotic star of his own dream-TV show, Stephane TV, Gael García Bernal uses that slightly blank charisma of his to singular effect. Though Gondry takes awhile to lay his cards down on this character, leaving audiences not entirely sure whether to view Stephane as an innocent dreamer or immature creep, it's hard not to warm to Bernal's enthusiasm -- even he did put it to better use in The King.

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French Twist Review


Weak
The French title of this odd little film is Gazon Maudit, a French euphemism meaning "dyke." Any wonder why the title was changed for the American audience?

This picture, starring the radiant and naked-most-of-the-time Victoria Abril (Tie Me Up! Tie Me Down! and High Heels), is a schizophrenic tour of Loli's (Abril) life. Her philandering husband Laurent (Alain Chabat) walks all over her. The kids are a constant effort. And when Marijo (Josiane Balasko, who co-wrote and directed as well), a butchest-of-the-butch lesbian, shows up owing to car trouble, a sudden bond of friendship is formed. When Laurent's dalliances finally go too far, Loli finds comfort in the arms...and the bed...and even the bathtub of Marijo.

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The Taste of Others Review


Excellent
In The Taste of Others, a wealthy suburban businessman named Castella gets infatuated with a theatrical actress and becomes a frequent visitor of her bohemian circle of friends. The premise might not be very original but the delicious twist of the story is that it is not so much about Castella's pursuit as it is about how different social strata are formed and how they intersect with one another.

Castella (Jean-Pierre Bacri) and his wife have to attend a local stage production of Bérénice, in which their daughter plays a small part. They don't care for the theatre and can't understand the verse, but, to Castella's own surprise, he finds himself unusually moved by a leading actress Clara. The charming point here is that Clara isn't a young aspiring theatrical diva but an aging, harried, and often unemployed actress from a small provincial theatre. Castella, however, doesn't see her that way: For him, she brings into his dispassionate routine the whiff of a free-spirited life including cozy, drunken late-night talks and vibrant gallery gatherings. Through happenstance, Castella's new business arrangement requires him to learn English, and Clara (Anne Alvaro) becomes his teacher.

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The Taste Of Others Review


OK

Romantic frustration is the common thread that ties together a piquant assembly of interconnected but quite divergent lives in "The Taste of Others," a deft, distinctive and personal multi-character dramedy from France.

Nominated for nine César Awards and this year's Best Foreign Film Oscar, this simple yet manifold film was co-written and directed by a César favorite, actress-screenwriter Agnés Jaoui, who also plays a pivotal role in the film as a bartender at the pub where all the film's stories converge.

Although it is a balanced and equally penetrating ensemble piece, if "The Taste of Others" has a primary character, it would be Castella (Jean-Pierre Barci, Jaoui's husband), an irritable middle-aged businessman in the manufacturing trade whose business negotiations with an Iranian company have forced several changes into his static life. His insurance company has insisted he hire a bodyguard and he's reluctantly agreed to take English lessons so he can more effectively communicate with his international partners.

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Alain Chabat

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