Al Weaver

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Whatsonstage.com Awards Nominations - Arrivals

Al Weaver - Whatsonstage.com Awards Nominations launch party held at Café de Paris - Arrivals - London, United Kingdom - Friday 6th December 2013

Harry Hadden Paton and Al Weaver

Me and Orson Welles Review


Good
While this feels like an autobiographical coming-of-age movie, it's actually a fictional story set among real people. And it's brought to vibrant life by a superb performance from McKay as Orson Welles.

Richard (Efron) is a 17-year-old wannabe in 1937 New York, determined to get into the groundbreaking Mercury Theatre company run by 22-year-old genius Orson Welles (McKay). When he stumbles into a role in their landmark production of Julius Caesar, Richard can't believe his luck. He's working alongside such ascending stars as George Coulouris (Chaplin), John Houseman (Marsan), Muriel Brassler (Reilly), Jopseph Cotton (Tupper) and Norman Lloyd (Bill). And he feels even more fortunate when Orson's hard-to-get assistant Sonja (Danes) agrees to go out with him.

Continue reading: Me and Orson Welles Review

Doom Review


Unbearable
However low your expectations are for the movie take on the videogame Doom, lower them more. It's pretty obvious that this adaptation was never going to be a film of any serious artistic or social value, but those of us who are either fans of the game itself, video games in general, or even of its star, The Rock, were at least hoping for a good time. Instead, the big-screen Doom is low on both monsters and action, heavy on a dull, inaccurate, and a somewhat preachy story.

The game storyline for Doom is a classic one-man army tale: a lone, tough, nameless Marine is sent to Mars in order to restore peace after scientists working for mega-corporation UAC stationed there open a portal to Hell, and the demons are coming through in droves. While most gamers were mainly concerned with the then-groundbreaking first-person-shooter (FPS) gameplay (it was 1993, after all), the story was just creepy and supernatural enough to make shooting these imps and zombies a brainless blast.

Continue reading: Doom Review

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