Before getting distracted by side projects, Allan Houston, and self-parody, Spike Lee was a great young filmmaker, and every release was an event. From Do the Right Thing to Jungle Fever, Lee's movies addressed race from a perspective never before seen in American multiplexes, and their energy, style, and stories evoked joy and rage from their audiences.
Lee was also a star himself. Even when not behind (or, sometimes, in front of) his camera, Lee's appreciation of black radical movements drew heat from conservatives, laurels from liberals, dedication from American minority communities, and attention from everyone.
Continue reading: Malcolm X Review