So can he end the war in the course of a 90-minute movie? Brother to Brother tackles so many issues that there's no way Perry will find all his answers, but he does make a good start with the help of the elderly Bruce Nugent (Roger Robinson), a minor figure in the Harlem Renaissance whom Perry encounters on the street and later at the shelter. Nugent, who's also gay, takes Perry back to the days of wild Harlem through a series of black-and-white flashbacks. It's there that we meet the young Bruce (Duane Boutte) along with the superstars of the era: Langston Hughes (Daniel Sunjata), Zora Neale Hurston (Aunjanue Ellis), and Wallace Thurman (Ray Ford). By listening to Nugent's stories, Perry realizes that all the prejudices he's fighting -- black vs. white, gay vs. straight, light-skinned vs. dark-skinned -- are nothing new.
Continue reading: Brother To Brother Review
Though it's too limited in scope and budget to be -- as the ad copy would have it -- a celebration of the "style and sensibility of Technicolor musicals," co-writers Robert Cary and Isabel Rose have put together a fairytale story line with a Sweet Home Alabama dilemma: Their heroine has to choose between the rich guy and the dedicated, artistic type; between financial independence and a hazardous career.
Continue reading: Anything But Love Review
The problem is, Coles is now living with the devoted Claire (Petra Wright) - who proves both her love for Coles as well as her great cinematic taste in one fell swoop by getting her beau a box set of Claire Denis films for their anniversary. Her introduction, in a refreshing twist, allows writer/director Chick to deviate from his heretofore typical romantic comedy setup. Rather than cast Claire as the icy bitch Coles has, in the wake of losing Sam, been forced to settle for, Chick wisely pulls the rug out from under us, portraying Claire as almost frighteningly ideal. After Coles and Claire get together with Sam (who has shunned an engagement proposal in London and recently returned home) and Thea (who is now married to a restaurant owner) for dinner, Claire confronts Coles about the possibility that he might still harbor feelings for his one-time love; the forthrightness, respect, and clear-headed compassion and understanding she conveys while openly discussing the issue with Coles is, in its sincerity and equanimity, shocking. With Coles once again feeling magnetically drawn to Sam, Claire's goodness is the film's most delightful surprise, and winds up complicating what initially seemed to be a rote tale of lost love rediscovered.
Continue reading: XX/XY Review
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