Aida Folch

Aida Folch

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Aida Folch and Jose Coronado - 'Fuego' photocall in Madrid - Madrid, Spain - Wednesday 26th November 2014

Aida Folch and Jose Coronado
Aida Folch
Aida Folch
Aida Folch
Aida Folch
Aida Folch

Mondays In The Sun Review


Good
Unemployment is an emasculating predicament. This small scale social study of a few men coping with it shows the depression and general lassitude that fills their days and months and the strain on their Latin machismo, sense of dignity and resourcefulness.

Carlos "Santa" Santamaría (Javier Bardem), José Suárez (Luis Tosar), and Paulino "Lino" Ribas Casado (José Ángel Egido) congregate in fellow ex-worker Rico's (Joaquín Climent) makeshift bar for what might be group therapy among fellow ex-boatyard workers approaching 50 but with zero bank balances. They commiserate together, share woes and complaints, and listen to each other's rage at the circumstances of their discharge from the port city's now-defunct shipyard. It's a self-support group for the disenfranchised that occasionally becomes a "gang that couldn't shoot straight" for much needed comic relief. But there's not enough of that for this film to go the way of The Full Monty, which it may have aspired to.

Continue reading: Mondays In The Sun Review

Mondays In The Sun Review


OK

Inspired by real laid-off shipyard workers desperately clinging to a sense of personal dignity while entering their third year on the government dole, the melancholy Spanish import "Mondays in the Sun" is thick with powerful, understated, deeply empathetic performances -- and it needs them. It's hard to feel sorry for a bunch of welfare cases who sit around drinking and barely even trying to find new jobs.

Perhaps not being familiar with the particulars of the Spanish economy provides a major disadvantage to fully understanding the characters that populate this film, which swept the 2002 Goya awards. But writer-director Fernando Leon de Aranoa doesn't seem to provide any reason beyond pure frustration and lack of momentum for his handful of sad sack laborers to spend much of their lives in a bar.

Bearded, burly, somewhat unscrupulous but full of pride and wasted intelligence, Santa (played by the impeccably poignant Javier Bardem) is a cauldron of quietly boiling indignation who exhausts his energy tilting against the system and denying his own accountability. In the course of the movie, he applies for not one job, yet he continues to fight a vandalism charge years after smashing up a streetlight during a strike -- on the grounds that the violence was the company's fault for enraging him.

Continue reading: Mondays In The Sun Review

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Aida Folch Movies

Mondays in the Sun Movie Review

Mondays in the Sun Movie Review

Unemployment is an emasculating predicament. This small scale social study of a few men...

Mondays In The Sun Movie Review

Mondays In The Sun Movie Review

Inspired by real laid-off shipyard workers desperately clinging to a sense of personal dignity while...

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