Patricia Riggen's Under the Same Moon takes the song's phony concept even further. It swipes the faux sentimentality of "Somewhere" and duct tapes it to our nation's very real border-crossing dilemma. It pretends to address a serious issue but ends up degrading an entire race.
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The sequel picks up 10 years later in 1850, where lovers Alejandro (Banderas) and Elena (Zeta-Jones, again convincing everyone she's not European) are now married. Alejandro is still working around the clock as Zorro to help the oppressed of California, a situation Elena is none too pleased with since she feels he's neglecting his family. After an especially nasty argument with Elena, Alejandro leaves his estate to get some space and to save some more peasant families. Several days later, he's handed divorce papers and a reason to start drinking.
Continue reading: The Legend Of Zorro Review