For his adaptation of the Roald Dahl classic, Steven Spielberg reunited with screenwriter Melissa Mathison, with whom he made E.T. nearly 35 years ago. Another story of an unlikely friendship, this film is even more wondrous and earnest, and also much more reliant on effects. But it's also hugely involving, with a terrific cast and of course a delightful story with a wry sense of humour.
It's set in a timeless London, where Sophie (newcomer Ruby Barnhill) lives in an orphanage. One night she spots a stealthy giant (Mark Rylance) prowling the city streets, so he grabs her and takes her back to Giant Country so she can't reveal his secret existence. As she gets to know him, Sophie discovers that he's an outcast in his own community, half the size of the nine giants (including Jemane Clement and Bill Hader) who live around him and bully him mercilessly because he doesn't eat human beans. This has earned him the nickname Big Friendly Giant, which Sophie shortens to BFG as she accompanies him into a colourful parallel world in his job collecting dreams and nightmares. Then when the bullies' threats grow stronger, Sophie comes up with a plan to get help from the Queen (Penelope Wilton) and her staff (Rebecca Hall and Rafe Spall).
Continue reading: The BFG Review
Sophie and the other girls at Mrs. Clonkers orphanage share a big sleeping dorm and once the lights go out, the girls are expected to go straight to sleep. No talking and most certainly no getting out of bed but little Sophie isn't one for sticking to the rules. Once the rest of the girls are asleep, Sophie is busy reading her books.
When the bespectacled young girl hears strange noise coming from outside her window, she can't help but take a peek out of the pane. A vague shape starts to form in the background, Sophie's unsure what it is but knows it's gigantic. Beginning to get scared, Sophie runs back to her bed and hides under her blankets but it's too late, before Sophie knows what's happening she's snatched from her bed and taken to a far and distant world.
Initially scared for her life, Sophie thinks the giant has taken her to have as his next meal but soon she's introduced to her new home and keeper, The BFG (Big Friendly Giant). The BFG doesn't want to hurt Sophie, he wants to protect her. As the pair begin having adventures together, Sophie soon learns that not all giants are as welcoming as The BFG.
Sophie has spent her life alone. She lives in an orphanage full of girls just like her. Each night the girls tell tales of the witching hour when the boogieman comes to visit and children go missing, Sophie's friends believe the witching hour is at midnight but little Sophie doesn't agree, she thinks the hour is much later, at 3am when only Sophie remains awake.
One night, whilst Sophie is reading, she hears an almighty rumble from outside and cannot help but open the window and look to see what's there; what she finds will change the lives of many forever.
The BFG is the much loved Roald Dahl book which was originally published by the author in 1982. The book was later turned into an animated film which featured David Jason as the voice of The BFG.
Continue: The BFG - Teaser Trailer
And so Burton takes a third stab at the remake game with Charlie and the Chocolate Factory, an update/remake (call it what you want) of the beloved 1971 movie Willy Wonka and the Chocolate Factory and Roald Dahl's classic children's novel. But the stakes here are far greater than they were with Apes. That was a campy sci-fi movie that no one really cared about. In fact, the original Apes had long since killed itself under the weight of four increasingly awful sequels. Willy Wonka and the Chocolate Factory frequently tops "Favorite Movie Ever" lists, and news of the remake has met with nothing but scorn from fans (including 1971 star Gene Wilder, who later retracted his scathing remarks).
Continue reading: Charlie And The Chocolate Factory (2005) Review
It's so enthralling in spirit that an audible gasp of joyrose from a sneak preview audience Monday night when -- even though thisis a given point of the plot -- impoverished, good-hearted little CharlieBucket (the gifted Freddie Highmore) unwrapped his Willy Wonka chocolatebar and found one of five sparklingly golden tickets to tour the toweringtitular candy plant.
Inside the mysterious factory, Burton brings deliciousand Technicolor-bright life to Dahl's visions of chocolate rivers (I sensea theme park ride in our future), everlasting gobstoppers, magic glasselevators and Oompa Loompas, Wonka's staff of uncanny munchkins (all playedby a small, amusingly stoic actor named Deep Roy, who is made even smallerthrough CGI effects).
He also delights in dispatching Dahl's infamous quartetof other ticket winners -- spoiled brats with eerily plasticized faceswho soon fall victim to various candy-making contraptions amusingly befittingtheir particular disciplinary problems.
Continue reading: Charlie & The Chocolate Factory Review
Buoyed by the success of last year's 'Ocean Av', Boston-born Brooklynite Emma Frank releases her fourth album 'Come Back'.
The Irish folk brothers have plenty of stories to tell.
In terms of approach, 'Chain Tripping' takes some beating. To call Yacht's latest release conceptual would be underplaying its inspiration wildly.
On 'Tallulah', Grant Nicholas and Taka Hirose seem to have that burning connection again.
Burn My Eyes was released on this day (August 9th) in 1994.
With an eclectic mix of established acts, up and coming talent and resurgent household names, Neverworld once again offered up some superb musical...
Listen to their new song 'Alchemy'.
For his adaptation of the Roald Dahl classic, Steven Spielberg reunited with screenwriter Melissa Mathison,...
Sophie and the other girls at Mrs. Clonkers orphanage share a big sleeping dorm and...
Sophie has spent her life alone. She lives in an orphanage full of girls just...
For a guy who's earned a reputation for being one of the most original filmmakers...
The playfully warped imagination of director Tim Burtonis ideally suited to the task of bringing...