Abraham Benrubi - Shots of a variety of stars as they attended a Screening Of Amazon's first Original Drama Series 'Bosch' which was held at the ArcLight Theater in Hollywood, Los Angeles, California, United States - Tuesday 3rd February 2015
Pepper Flynt Busbee (Jakob Salvati) is a 7-year-old boy who stands much shorter than any of his classmates, to the worry of his mother (Emily Watson). He has few worries himself though, despite the occasional bully, forever playing adventure games with his beloved father (Michael Rapaport) and feeling like he can take on the world. Things take a turn for the worst, however, when his father is sent off to fight during the troubles of World War II. Distraught, Pepper is willing to do anything to get his father back, and when he is encouraged to use his focus to move an object during a magic show, he starts to see that he really can do anything. He's determined to use his ability to summon Mr. Busbee back home, but he has to be careful never to let a single trace of doubt cross his mind.
Continue: Little Boy Trailer
Like a spoof mash-up of Mad Max and Machete, this nutty action movie throws us into a Wild West dystopia with enough wit and energy to overcome its clunky production values. A whiff of serious subtext helps too. Although it's essentially just a riotous B-movie thrill ride without much of a plot.
The story takes place in the near future, after the Corporate Wars destroyed the world. Now the former company executives are under death warrants, chased by superstar bounty killers through the desolate landscape. One of the most notorious killers is Drifter (Marsden), who has a bounty on his head after sniffing too close to a major scandal. As he heads to the Council to clear his name, he and his new gun caddy Jack (Hardley) are chased by the glamourous killer Mary Death (Pitre). And all of them are being pursued by the relentless Van Sterling (Busey), whose shady boss (Loken) is working on some sort of nefarious plan.
The film's luridly colourful design echoes its graphic-novel origins, as do the comic-book animation segments. And the violence is relentlessly blood-spurting, keeping us laughing so we don't notice how cheesy the effects and action really are. Fortunately, everything is underscored with sardonic humour, rude jokes and melodramatic characters, each of whom has a torrid history. This allows for plenty of irrelevant innuendo, especially between the inexpressive Marsden and the striking Pitre.
Continue reading: Bounty Killer Review
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